A Quote by Roland Orzabal
All the serious bands, all the punks, came from Bristol.
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When I was in college in Philly, there was a lot of post-punks... hardcore... like, rock. Sixties, retro, proto-Strokes kind of bands.
When I was in college in Philly, there was a lot of post-punks hardcore like, rock. Sixties, retro, proto-Strokes kind of bands.
When we played Paris, the English punks would come over, and they got to know the French punks. There was some nice scenes in the back alleys.
Unfortunately a lot of Bristol's creativity just gets marooned in Bristol. It is a cool place though, maybe too laidback for its own good.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
All the London critics, including Kenneth Tynan and Harold Hobson, came down to Bristol to see 'The Crucible'.
I was the illegitimate child of the legitimate theater. I had no training. I came from downtown rock and roll, and when I came in and auditioned for the Broadway revival of 'Hair,' I had no eyebrows - kind of a Bowie-esque glimmer kid. And it was hard representing the flower power era when we were stone cold punks.
I came up playing in both punk rock bands and hip-hop bands, and I found a more universal way of reaching people, especially with music that has a message to it.
The percentage of gays is the same, probably, as anywhere. Most bodybuilders are straight, regular street guys, though a lot aren't serious. Many in California are punks, beach bums just lying around in the sun and maybe collecting unemployment.
We came along at a time when people were really focused on music. We were part of the second generation of bands after all of those great 60's bands when rock was still in its' infancy.
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
I am not doctor who and I can't turn back time. I once said the audience was all punks and little girls, now they are old punks and old little girls. I don't mind the fans being maturer, if there are younger fans that's good too.
We had punks literally protesting Fugazi. I respect a boycott. I respect a conscionable boycott, but of all bands to boycott? Fight crime. If you really want to get out there, go fight crime.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
I wasn't personally that familiar with the Classic Rock bands. That is where Jorn Viggo came in: he played me tons of that stuff - Deep Purple, Led Zeppelin, plus a lot of bands with cool songs, riffs, vocals, etc. We really listened to tons of music.
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