A Quote by Roland Orzabal
I do a lot of vocal warmups, which are the same warmups I did when I was a kid, because I had a few classical singing lessons and stuff like that, so I know pretty much how I'm gonna be once I get on stage.
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There's a club called Headliners in Chiswick where I do a lot of my warmups for tours. For me it's a nice 'big-small' room: it's a 300 seater, which feels small but you can still get big laughs.
You need to make sure you're doing vocal warmups and drinking tea - and if you have a really emotional scene, you have to make sure to take care of yourself afterwards.
I think in the bullpen you can tell during your warmups, if you have a good feel for it. But anything can happen once you get into a game. Sometimes you just wind up throwing it better than ever before one day without knowing why.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
I watched a lot of television as a kid, and the suburbs to me - that was exotic! Like, a mom and dad who lived in the same house and had jobs and cooked breakfast at the same time every morning and did laundry in a washing machine and dryer? That was like, 'Woah! Who are they? How do you get to be like that?'
Taj [ Johnson] is the singer in my family. So whenever I would be practicing my warmups in the house, she would let me have it. I could be on the other side of the house doing my voice lessons and she would scream, "Drop your jaw for those long notes."
After three months of singing, Hef heard me practicing once. He tried to convince me to quit singing lessons because there was no chance of being good at it. Of course, I cried a lot when he said that, but it was my money that I was investing in lessons so I continued partly out of spite and partly because I really wanted to do it.
I took piano lessons when I was a little kid, but even before that, you're singing in the classroom and wherever. Gosh, children are always singing. But I took music lessons, some choir and things like that at school. I learned how to play the guitar when I was about 13... ancient history.
Playing Michael Jackson's memorial service was one of the hardest things to do because it was literally a few days after he had passed, and Kenny Ortega, who was directing it all, was like 'You're gonna come out and sing.' So not only was I completely shaken up, I didn't know how I was gonna get through it.
Playing and singing at the same time is pretty cool, but sometimes it's difficult to know when you can just really let go a bit because you've got to get back to bloody microphone and sing some stuff.
I've always loved music. I wasn't one of those "composing since I was five" kids, but I was definitely involved with music since I was that age - singing in musicals and taking lessons. Lots of lessons! Singing, dancing, acting, drums set. My mom pretty much had a full-time job carting me all over town six days a week.
I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.
Figure out a way to get back onstage because once you do it a few times you'll get over it. Unless it's like a clinical thing. I don't know about clinical like stage fright, that might be worse than what I'm talking about. But if it's normal stage fright get over it.
Just like my career, I've sung the same songs night after night in so many ways. It's always different because every space is different. I lost my mojo once. It was like Austin Powers. I don't know why or how, but I had to get it back. And I did.
I've been working in music since I was a little kid. I would do background singing in my dad's studio all the time when I was a kid. I went to label meetings when I was pretty young, and obviously my goal was, like, 'No, we're gonna hold off.'
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