A Quote by Rolf Harris

I draw the line at filth and crude language. It seems to be an excuse for not being funny. — © Rolf Harris
I draw the line at filth and crude language. It seems to be an excuse for not being funny.
Some lucky people can be funny without half trying because they actually look funny, because acting funny is in their bones - fun as funny, not funny as crude slapstick.
Expression and thought are inextricably linked: crude language permits only crude thinking.
We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.
With me more than anybody it seems silly having a stage name, and there wasn't any particular difference between me and John Wesley Harding. There wasn't any need to draw that line. I just happened to draw it.
Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)
You shouldn't worry who gets the funny line, just that you're being funny as a double act. With us, it flips all the time. There's no real straight man or funny man.
When you're a father you censor yourself. You get just as angry with a child but you don't want to say, "What the filth and foul and I'll filth and foul, filth and foul and, yeah, ya filth and foul face, and I'll filth and foul, foul, filth!" You don't want to say that to a child so you censor yourself and you sound like an idiot: "What the... Get your... I'll put a... Get out of my face!"
Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn't necessarily the fear of being 'found out.' It sometimes is just the fear of being misunderstood.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
Accents are funny in that they have this odd draw for us, yet we forget we have one, too. No one is without an accent, but the one you’ve got seems like oatmeal to their caviar.
In Bach there is still too much crude Christianity, crude Germanism, crude scholasticism; he stands on the threshold of European (modern) music, but he looks back from there to the Middle Ages.
Marie Antoinette was funny, I'm sure she was just misinterpreted. You know the 'Let them eat cake' line. She seems like she was kind of funny, like a Chelsea Handler or Kathy Griffin type.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
You can't listen to all that language and filth without it affecting you
A lot of the things I've talked about are being a human being, being respectful, and really just caring about others, and trying to draw the line in the sand when it comes to hate and divisiveness.
I can't draw a line between myself and stuff that I do. It's funny, I don't want to sound like it's just about this, but really with everything I do, it's hard for me to take myself out of it.
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