A Quote by Rollo May
The individual human is still the creature who can wonder, who can be enchanted by a sonata, who can place symbols together to make poetry to gladden our heart, who can view a sunrise with a sense of majesty and awe.
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Thor is a god who's lived in Asgard most all his life, but I think he still has a sense of awe and wonder about the place. I want us, as readers, to have that same sense of awe whenever we see, finally see, the golden spires of Realm Eternal.
Worship is to feel in your heart and express in some appropriate manner a humbling but delightful sense of admiring awe and astonished wonder and overpowering love in the presence of that most Ancient Mystery, that Majesty which philosophers call the first cause, but which we call our Father which art in heaven.
What is sacred is what is worthy of our reverence, what evokes awe and wonder in the human heart, and what, when contemplated, transforms us utterly.
A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.
St. Pope John XXIII called for the Second Vatican Council because he understood, as no Holy Father had in a long time, religion spoke to and found its language and symbols - its entire sense of the sacramental nature of existence - in the imagination that reveals not just the penalties of living, but the wonder and awe of our existence.
We are here to feel, wonder and gaze in awe at the world. Instead of just teaching our children how to use things and do things, I suggest we nourish their sense of wonder.
Nature's beauty never fails to fill me with a sense of wonder and awe, and still, I refuse to go camping.
D.H. Lawrence says that myths are "inexhaustible" because they are symbols of heart mysteries. That is, they can't be exhausted - they somehow have embodied some central human mystery (love, loss, being a body in time, who knows which or what?) and thus can be retold infinitely and still be rich. That's part of your saying: it's old, but it's also new. Or: there's nothing "new" in the human heart, but it still matters lots.
The heart is our hidden center, beyond the grasp of our reason and of others; only the Spirit of God can fathom the human heart and know it fully. The heart is the place of decision, deeper than our psychic drives. It is the place of truth, where we choose life or death. It is the place of encounter.
Our stories arise from our hearts and our souls. In this sense, telling our stories becomes a sacred gesture, opening a clear way to that deep, ecstatic center where we are most uniquely our selves, individual and unique, and yet are ourselves, joined together at the heart.
We all have a thirst for wonder. It's a deeply human quality. Science and religion are both bound up with it. What I'm saying is, you don't have to make stories up, you don't have to exaggerate. There's wonder and awe enough in the real world. Nature's a lot better at inventing wonders than we are.
I like California because it still has the glamour and romanticism and exoticism of a very foreign place. It was the place that when I was young, I was raised on "I Love Lucy" and listening to the Grateful Dead and reading Jack Kerouac. They, to me, were all symbols of this very foreign sense of promise and movement. After all this time here I'm glad I still have it.
To me, science fiction is about the sense of mystery, the sense of awe. Not 'shock and awe', just 'awe.'
We all need one another; much and often. Just as every human creature needs a place to be alone in, a sacred, private "home" of his own, so all human creatures need a place to be together in, from the two who can show each other their souls uninterruptedly, to the largest throng that can throb and stir in unison.
I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between.
Before our eyes is fought a battle of symbols... for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.
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