A Quote by Rollo May

Every authentic artist is engaged in this creating of the conscience of the race, even though he or she may be unaware of the fact. — © Rollo May
Every authentic artist is engaged in this creating of the conscience of the race, even though he or she may be unaware of the fact.
I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
We may gamble on outsmarting the law; we may even gamble on the leniency of man and the mercy of God-but no man ever won a gamble with his own conscience. Even should he think he has beaten his conscience into submission, his misdeeds still leave their mark upon him. Anyone who gambles against this fact has already lost his gamble.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done.
Though the immediate impression of rebellion may obscure the fact, the task of authentic literature is nevertheless only conceivable in terms of a desire for fundamental communication with the reader.
I do not agree that the dog in a manger has the final right to the manger even though he may have lain there for a very long time. I do not admit that right. I do not admit for instance, that a great wrong has been done to the Red Indians of America or the black people of Australia. I do not admit that a wrong has been done to these people by the fact that a stronger race, a higher-grade race, a more worldly wise race to put it that way, has come in and taken their place.
We're all looking for an authentic way to be engaged in the community, engaged in politics, engaged in national discussion - and so, we're clunky. We're all clunky. But it's better than not doing it.
Structurally I don't see a fundamental difference between what we may reasonably expect of police and doctors - though obviously the fact that doctors are generally pursuing life-saving activities and police may be engaged in life-threatening activities may lead to differences in how we construe the moral limits to their roles.
There are times when you have to obey a call which is the highest of all, i.e. the voice of conscience even though such obedience may cost many a bitter tear, and even more, separation from friends, from family, from the state, to which you may belong, from all that you have held as dear as life itself. For this obedience is the law of our being.
We're part of creating this world in which we live, but we're unaware of how we do that or even that we do that.
When I go to a library and I see the librarian at her desk reading, I'm afraid to interrupt her, even though she sits there specifically so that she may be interrupted, even though being interrupted for reasons like this by people like me is her very job.
The quiet conscience is the invention of the devil. No one of us may permit any preventable pain to be inflicted even though the responsibility for that pain is not ours. No one may shut his eyes and think that the pain which is therefore not visible, is non-existent.
Amy Sedaris [in the Ghost Team] plays a Miss Cleo-esque character - Miss Cleo just died, so that's kind of timely - but she plays a Miss Cleo-esque TV psychic who's also kind of a bullshit artist. One of the most triumphant character turns in the movie is when she realizes that even though she's a bullshit artist, she does have something to offer. She helps save the day at the end of the movie.
Though a song may race by in a minute and a half, every aspect of it is calculated and intentional.
I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist.
I suppose every poet has his own private mythology. Maybe he's unaware of it. People tell me that I have evolved a private mythology of tigers, of blades, of labyrinths, and I"m unaware of the fact this is so. My readers are finding it all the time. But I think perhaps that is the duty of poet.
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