A Quote by Roma Downey

We work hard on the show. We really believe in the show. It's an enormous privilege to work on a show that has the power to touch people's lives in such a positive way. The fan mail and the e-mail certainly reflect that.
I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail.
I've had more fan mail from 'Doctor Who' than anything. People love the show so passionately.
It was an honour to be a part of that series. I still get fan mail every day for that show; a big portion of my fan base is from 'Gilmore Girls.'
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
The crew loves working on the show, even though we have to work really hard. There's nobody in the show that's difficult. We really have a great group.
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
My show is an adult comedy show, but it isn't offensive. Your kids could listen to it, even though I hope they wouldn't 'get' most of it. But I get a lot of fan mail from soccer moms saying 'I love having your CD because I can listen to it with my kids in the car.'
Show your work, and when the right people show up, pay close attention to them, because they'll have a lot to show you.
I don't know how many times a phone call or e-mail starts with, "I don't agree with anything you say but you're funny as hell so I listen to your show, I love your show."
If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.
I think the tone of the show has certainly changed over the years, because it's really, really hard to do something different when you have a show going on as long as this has.
The difference between e-mail and regular mail is that computers handle e-mail, and computers never decide to come to work one day and shoot all the other computers.
I'm a lot smaller than most guys, so I have to make up with grittiness and show I can work the hardest, show I'm strong on my skates and show I can push some people around.
I'm certainly a real homebody. But the truth is that I understand that desire to, in a way, go join the circus. That's what got me out of Long Island and into show business. I was like, 'I'm just going to have an adventure. I want to be a person that isn't surrounded by their mail and their cat.'
You might not be a big fan of politics, but you can still participate. All you need to do is vote for people you believe will work on these issues, and if they don't work the way they should, then it is your responsibility to call them, organize a town hall, and demand that they show up - hold them accountable.
I came home in the afternoon to sleep, and there was this e-mail from Comedy Central saying they were interested in having me be part of this new show called 'Jump Cuts'! So I called them right away, and the producer started laughing and said, 'We sent that e-mail one minute ago - you're so fast!'
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