A Quote by Romain Gary

The avantgarde are people who don't exactly know where they want to go, but are the first to get there. — © Romain Gary
The avantgarde are people who don't exactly know where they want to go, but are the first to get there.
When I'm writing with Tony Iommi, for example, still it's very easy. We go in, and I know exactly what his style is. It's very distinctive, and you know exactly what he's looking for, and we know exactly where we're going from the first chord.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
When people go to the theater, they don't want to think 'I know exactly what I'm gonna get,' and then they get it and then they walk out. I think you want to walk in going 'I don't really know what this is about,' and have the fun of discovering it.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I have to have animals. They really make life worth living, and my world actually revolves around them. They know exactly when it's time to get up, exactly when they're supposed to get their food, and they let you know. Mine are right there in my face, first thing every morning.
You don't want to wait until something horrible happens to get help. Admit that something's not right. You might not know exactly what, but you still want to go get it checked out.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
I want to know exactly how the first few measures are going to go, and the rough shape of a movement or the whole piece and its essential character.
I'm not twentysomething. I'm not trying to find myself - I know exactly who I am and exactly what I want. And I don't want a fan. I want a man who understands me, who challenges me, who calls me on my sh-t instead of letting me get away with it because I'm supposed to be a star. I want a best friend.
I want to get involved in causes I believe in, and I know so many others that want to also get involved, but it's hard to know how. Often, it's through big organisations, and you don't know exactly where your money is going or what effect you are having.
In tactics and training, we do more with Conte. We work a lot of tactical positions, and we know exactly what we have to do on the pitch, where I have to go, and where the defenders have to go. We know exactly what to do.
First be sure that you know exactly what you want to say. Then be sure you have said exactly that.
I know exactly what it's like to not have a penny. I know exactly what it's like trying to get a job. I know exactly what it's like having bloody one tin of Ambrosia left in the cupboard. But I know I can survive.
I don't know what to say to people. It's become so big. It's become part of the cultural environment. For the first and second Twiglight, I knew exactly what to say to people. If you don't know what the story is by now, then you've probably never been to the cinema before. How about, "Why not go to the cinema for once?" I don't know.
I'm all about doing things myself because I find it hard to trust other people. Not trust, but I know exactly what I want to do, and I know exactly how it's supposed to look.
If we know exactly where we're going, exactly how to get there, and exactly what we'll see along the way, we won't learn anything.
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