A Quote by Romain Grosjean
Monaco is quite a specialist track, and it is very difficult to say if a car will be suited to it or not. It's bumpy on the straights, and it's a very low-grip surface. All these things mean that you never know what to expect.
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When you drive a car, either you manage it and feel it with the grip of the car, or, like me, you fix it on visual speed. If you do it through the grip, you lose it very quickly - because when the track changes, you can have scares. I do it visually, so if I am going too fast I fight to get the car back, but I do not do it by feeling the grip.
I mean, you've kind of got the track down, especially with ovals. The only thing that improves is that when race conditions come, you know what to expect slightly more from the track and from your car.
Thailand was never a European colony, so even though the city is very Western on the surface, deep down it's very Asian. It's quite enigmatic, and I like that. I can't get to the bottom of Bangkok, and I never will.
I don't like talking about my work at all. I find it very difficult. I never know what to say. It's too close to me, and there's so many things happening unconsciously while I'm working that I'm not aware of, and people will point these things out to me, and I'll say, "That's interesting." But I don't know what to make of it.
Usually it's just material that resonates with me and I never know exactly what that's gonna be. And there's obviously a certain persuasion, if you will. It's dependent upon the fact that I'm known for certain genres. So, that influences my decision making as well. I mean I'd love to, for example, do an action thriller but there are a lot of very talented people doing that and so it would be very difficult for me to switch over to that genre. So, I do look for things that I know (will resonate with) my audience.
It is very pious to say and prudent to affirm that the holy Bible can never speak untruth -- whenever its true meaning is understood. But I believe nobody will deny that it is often very abstruse, and may say things which are quite different from wha.
Yes, it's a very difficult thing to do, to promote a record, do television shows, and to still want to remain private, it's really quite difficult to explain to people what you're trying to do. I mean I'd actually quite like to be a recluse, but you know, you've got to promote the record as well.
Most people don't know what they want or feel. And for everyone, myself included, It's very difficult to say what you mean when what you mean is painful. The most difficult thing in the world is to reveal yourself, to express what you have to... As an artist, I feel that we must try many things - but above all, we must dare to fail. You must have the courage to be bad - to be willing to risk everything to really express it all.
Adoption was a bumpy ride - very bumpy. But, God, was it worth the fight.
I am honestly very intimidated when I meet new people and they expect me to be the onscreen Vir. On stage, I say a lot of things I might never say in real life; I am never the life of the party. People are quite surprised to see that I am more of a quiet artiste off stage.
I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
People who know me know that I'm not going to open my mouth and say something if I don't mean it. I'm very short and sweet. I'm old-school when it comes to it: I say what I mean and mean what I say, and then get off of it. It's simple as that.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
I have no use whatsoever for projections or forecasts. They create an illusion of apparent precision. The more meticulous they are, the more concerned you should be. We never look at projections, but we care very much about, and look very deeply at, track records. If a company has a lousy track record, but a very bright future, we will miss the opportunity.
Montreal is different from Monaco, as there are some long straights and big braking moments.
China should have a currency which is a much higher value relative to the dollar and other things. What they're doing is keeping it low, artificially low. And I mean seriously artificial. I don't just mean a little bit low. I mean major low.
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