A Quote by Roman Reigns

As far as the hate, it makes me laugh. Everybody is a critic. Every critic I've ever had, they weren't wrestlers. Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
It has to be about more than punishment. We need to rehabilitate people. We lock up far too many people in America today. We lock them up as if locking them up is gonna solve the problem. And locking them up does not solve the problem. Did locking me up make me better? No, it did not. It made my struggle harder.
People were standing up everywhere shouting, "This is me! This is me!" Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea who or what they were than he had. They believed their flashing signs, too. They ought to be standing up and shouting, "This isn't me! This isn't me!" They would if they had any decency. "This isn't me!" Then you might know how to proceed through the flashing bullshit of this world.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
I love you, Gabby, more than you'll ever know. You're everything I've ever wanted in a wife. You're every hope and every dream I've ever had, and you've made me happier than any man could possibly be. I don't ever want to give that up. I can't.
You are always here with me when I do so, at least in my heart, and it is impossible for me to remember a time when you were not a part of me. I do not know who I would have become had you never come back. I love you, Allie. I am who I am because of you. You are every reason, every hope and every dream I've ever had, and no matter what happens to us in the future, every day we are together is the greatest day of my life. I will always be yours. And, my darling, you will always be mine. Noah
My favorite wrestler growing up was Dean Malenko. He was a very technical wrestler, and when I trained with Shawn Michaels, he wasn't that kind of a technical wrestler. So, when I finally met Regal in 2001, he was that kind of a wrestler, and all of a sudden, I could ask him things, and he would know what I was talking about and how to do it.
I learned more in the rehearsals for 'The Letter' than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
I watched Hillary Clinton. What a sad - what a sad situation. Every time I mention her, everyone screams, "Lock her up." "Lock her up, lock her up, lock her up," they keep screaming.
My mom was like, 'What did I do as a mom for you to want to become a wrestler?' They just didn't understand, and it's really hard to explain what made me love wrestling so much. There's something about it that made me fall in love, and ever since I laid my eyes on it, I knew I wanted to be a professional wrestler in the WWE.
I wondered where the person was who had taken my place, who wanted to know what news people had been told. I'm always looking for the person who replaces me, who thinks the things I do, who fills in for me when I'm not there. I know there is someone younger than me doing what I did and someone older doing what I will do, and someone my age being just like me.
You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.
When Jack Swagger copies my Ankle Lock and Randy Orton does my Angle Slam, it's disrespectful. I didn't come up with the Ankle Lock; Ken Shamrock came up with the Ankle Lock, but I waited until he retired to do the Ankle Lock.
Acting was something I always wanted to try. I just didn't know how, or I didn't know when the door was gonna be open for me to try it. But it finally opened up for me when I did 'Turn It Up', and ever since then I've been in love with doing films.
Sometimes I'm out in public and people are like 'you're a wrestler?' and they kind of ask me with a little question in their voice, like 'oh I didn't know that WWE had wrestlers like you. I'm going to start watching.'
I'm nuts and I know it. But so long as I make 'em laugh, they ain't going to lock me up.
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