A Quote by Romany Malco

I don't want every fan; I'm interested in fans interested in quality work, authentic archetype depictions. — © Romany Malco
I don't want every fan; I'm interested in fans interested in quality work, authentic archetype depictions.
Why talk about what we want? That is childish. Absurd. Of course, you are interested in what you want. You are eternally interested in it. But no one else is. The rest of us are just like you: we are interested in what we want.
I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
I'm interested in reality but I'm not interested in realism at all. I'm interested in the ways that I think people want to relate.
I don't want to make a comfortable film. I'm not interested in that. I'm not interested in answering people's questions; I'm interested in posing questions. I'm interested in sparking a conversation between two people about what something means. That's enough for me, as a writer and as a director.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
I'm not interested in painting; I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process.
Whenever I’m interested in something, I know the timing’s off, because I’m always interested in the right thing at the wrong time. I should just be getting interested after I’m not interested any more.
I've gotten more flack from the remake nature of our 'Being Human' from American audiences than I have from British fans. Every fan of the BBC original that I've bumped into seemed very excited and interested in seeing what we did with it - at least to my face!
We talked, she and I. She asked about my work and it was a pretense, she was not interested in my work. And when I answered, it was a pretense. I was not interested in my work either. There was only one thing that interested us, and she knew it. She had made it plain by her coming.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
I'm a big fan of cameras. I'm reasonably interested in good gadgets and I'm amazed by what things can do. The quality of the GoPros and what they can do is amazing.
I'm getting less and less interested in the problems of youth. I'm much more interested in the idea of emotional paralysis, and I find myself less interested in work that doesn't have anything to do with a conversation about the world.
I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.
I'm extremely interested in art, every form of art, but I'm interested in it when it's good and interested in it when it's interesting.
I just do things that I'm interested in making and work with the people I'm interested in working with, and it's very important for me to maintain the creative control because, otherwise, I just don't want to do it.
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