A Quote by Romany Malco

I called my managers, and they were like, 'What is Tijuana Jackson?' — © Romany Malco
I called my managers, and they were like, 'What is Tijuana Jackson?'
Of course, San Diego chooses not to regard the two cities as one. Talk about alter ego: Tijuana was created by the lust of San Diego. Everything that was illegal in San Diego was permitted in Tijuana. When boxing was illegal in San Diego, there were boxing matches in Tijuana; when gambling was illegal, there was always Tijuana.
Those of us that were raised in Tijuana have so much access to San Diego. I was crossing the border every day when I was a kid, and that back and forth has a huge influence on the cuisine. So the U.S. is coming down to Tijuana, Tijuana is going to San Diego. There's this great blending, a great exchange.
What has happened in the last generation is that Tijuana has become a new Third World capital - much to the chagrin of Mexico City, which is more and more aware of how little it controls Tijuana politically and culturally. In addition to whorehouses and discos, Tijuana now has Korean factories and Japanese industrialists and Central American refugees, and a new Mexican bourgeoisie that takes its lessons from cable television.
All true artists in the world from all countries and all genres are influenced by Michael Jackson. There were music videos before Michael Jackson, and there were music videos after Michael Jackson. He brought such a huge change in the marketing and positioning of the music video.
If I wasn't doing candy, I'd want to create the best rescue animal-shelter organization. Otherwise, the Jackson 5 and Michael Jackson were so much a part of my childhood, and Janet and I have become friends. So my second dream job would be backup singer for Janet Jackson!
Glenda Jackson called me an amateur in 1976 when we were in a play, 'The White Devil.' I've never forgiven her.
One time, this guy at this music festival would not let me off the hook that I was Percy Jackson. He was like, 'Quit lying to me, bro, I know you're Percy Jackson.' I was like, 'I swear to God, I'm not Percy Jackson.'
I don't like to be compared to Joe Jackson. because Joe Jackson, I think, took money to throw World Series games. Well, I know I bet on my own team to win. There's pretty much a big difference there, but both of us were wrong.
When I was a kid, I remember seeing Michael Jackson. I thought he was an alien. You don't grow up to be like Michael Jackson. I'm not saying I'm Michael Jackson, but Mercury Prizes are for aliens, basically. So I was very chuffed that I got nominated, and then I won.
I called the doctor, during writing the book, the psychiatrist who treated me at that time, Dr. Jackson. And I said, Dr. Jackson, whole pieces are missing. I don't understand what happened to me.
I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.
Well, you have to understand where we came from. We are not here because we decided 10 years ago that we were going to be x-size company, and, oh, yeah, Jackson would be a good headquarters. We work here in Mississippi because we started here, and we are certainly happy here. Those of us working out of Jackson intend to continue working out of Jackson.
When I was 17, my producer Rodney Jerkins was working with Michael Jackson at the time. He knew how much I wanted to meet Michael Jackson, so he says, 'Would you like to come and meet him?' I'm like, 'Are you serious? Of course I want to meet Michael Jackson! Where do I meet you? Where do we come?'
There probably won't be an animated The Roots or Black Thought as there was, say, an animated Michael Jackson when 'The Jackson 5' cartoon show was on when we were kids.
I mean, Janet Jackson? She's like Michael Jackson with hair.
There are only two kinds of managers. Winning managers and ex-managers.
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