A Quote by Romare Bearden
The most difficult object in painting is yourself because you're always at issue
Related Quotes
An object painted upside down is suitable for painting because it is unsuitable as an object.
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
When you write, you're always revealing a difficult part of yourself. It may not be a part of yourself that looks as difficult - there are parts that look more difficult - but in fact, they are all difficult, and you get kind of used to doing that. It is sort of the nature of the thing.
The issue of racism and racial prejudice. It is very, very difficult to discuss. It is difficult to discuss the issue of apartheid. Many have made the observation that it is very difficult to find anyone in SA who ever supported apartheid because everyone was opposed, it was against our will and so on.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
The issue of immigration is one of the most complex and politically difficult issues because there is so much passion on all sides.
Immigration is the most difficult issue I've ever dealt with, and I've dealt with some tough issues: drones, gays in the military, WikiLeaks, Guantanamo. But immigration is hardest because there are so few people willing to talk and build consensus. Everybody's firmly made up their mind. It's a polarized issue.
Painting is my profession, because it has always been the thing that interested me most. I'm of a certain age, I come from a different tradition and, in any case, I can't do anything else. I'm still very sure that painting is one of the most basic human capacities, like dancing and singing, that make sense, that stay with us, as something human.
I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
You can take your fitness seriously, but not yourself. That's the most difficult part: not to relax. That's the most difficult challenge I'm facing every fight.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
I don't mean to give performance art a bad name or anything; I think there are people that are legit. I think I just got frustrated painting - I love painting; I actually tried to be an artist, but it's sensitive, and then you have an object. And what do you do with that object? And then repeat and repeat, blah blah blah.
We have more difficult circumstances than most of the Arab countries but in spite of that Syria is stable. Why? Because you have to be very closely linked to the beliefs of the people. This is the core issue.
I'm not brassed off, it's just it's the association of the Dalek question, this mechanical mobile object, I'm beginning to find it distracting. And they were difficult to play to, because you're not looking into human eyes. You're looking at a metal object, moving about, with a voiceover.
Meditation is difficult for many people because their thoughts are always on some distant object or place. One form of meditation is to label the thought as it appears and then choose to let it go.
Objectivity is the subject subjugating the object. That is how you assert yourself. You make yourself the active voice and the object is the passive no-voice.
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