A Quote by Romare Bearden
Black art has always existed. It just hasn't been looked for in the right places.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
The art of putting the right men in the right places is first in the science of government; but that of finding places for the discontented is the most difficult.
My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world. Some of the greatest inspirations in my life have been black Americans. And I just wanted to say thank you. They've been a huge inspiration, to myself and this country.
That was the day my whole world went black. Air looked black. Sun looked black. I laid up in bed and stared at the black walls of my house….Took three months before I even looked out the window, see the world still there. I was surprised to see the world didn’t stop.
Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
We talk too much of black art when we should be talking about art, just art. Black composers must be free to write rondos and fugues, not only protest songs.
"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.
I have always been interested in art but had no formal training or experience. It's always been just what I liked, my eye for art.
Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the right times to boost me to the next level. I was fortunate to be selected for a summer drawing class offered to teens at the Otis Art Institute of Los Angeles County.
My position is that serious and good art has always existed to help, to serve, humanity. Not to indict. I don't see how art can be called art if its purpose is to frustrate humanity.
They used to call me Firefly when I was a little girl, and I always tried to figure out why I was being called a firefly. I was really black, black, black from the sun. After being in Jamaica for 13 years, my eyes were really beady and white, and my skin was really black. I must have really looked like a fly. My eyes looked like lights, like stars.
Stand-up is an art but since it's humor and it's funny - a lot of guys that don't think it's art are probably coming from the angle that they don't want to take it so seriously. I've always looked at it as an art but I don't look at it as a pretentious art. I understand it has to be taken lightly because it is just comedy in the end, but the good stand-up comics are someone with something to say.
Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.
If you think about black art, all black art, whether it's Invisible Man or whether it's James Baldwin, Langston Hughes, Zora Hurston, or Richard Wright, they all deal with elements of identity and trying to humanize our experience and our struggle in the world where people have been indifferent to who we are and what we are. It's basically just saying that our lives have meaning.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
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