A Quote by Romare Bearden

The artist has to be exactly the opposite [of people singing the song, I've gotta be Me,] and transcend himself as he makes judgements. — © Romare Bearden
The artist has to be exactly the opposite [of people singing the song, I've gotta be Me,] and transcend himself as he makes judgements.
Maybe 80 percent of what we conceive to be a song idea or the meaning of a song is not exactly what the artist meant most of the time. It's not bad - people can take what they want from it.
If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist. The artist does not tinker with the universe, he recreates it out of his own experience and understanding of life.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
I would say "These Days." It was the title song to an album I put out, and it's really this song that you'll hear throughout the episodes and the season in the show. I write all my music, I'm an independent artist so we do it all in-house and that song embodies exactly what the title says.
If I write a song, I'm gonna end up singing it. If I sing it, I gotta dance to it.
To me, I always felt like drums have to be the support and the driving factor in a song, and there's places where the drummer has to show off and do things and get the spotlight, but not all the time. You've gotta pick and choose. And it's always gotta be about the song. That's really the bottom line.
Lyrics is the face of any song. The combination of composition, lyrics and singing is what makes a song a song.
When I'm on a stage, it's just me, singing a song with words that I wrote and I believe in. And if I don't believe in them anymore, I'll stop singing that song.
People are always warning me that I'm going to burn out. But the truth is, the only thing that tires me out is hearing people tell me that. Opposite shows, opposite coasts, opposite demographics, opposite everything - I love it, man!
I didn't know they would pay you money to sit in a room and write songs for other people. I always thought that George Strait was singing a song, he made it up, and that was the end of it. But the instant I found that out, that that could be a job, I thought, 'That's the job for me. I gotta figure out how to do that.'
Lots of people say it's the song. For me, it's not always the song - there's something bigger: the spirit of an artist.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh
When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.
I keep reminding people that an editorial in rhyme is not a song. A good song makes you laugh, it makes you cry, it makes you think.
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