A Quote by Romeo Miller
We would make songs, and the producers said we should play it for my dad. I was kind of scared, I didn't know what to think cuz we were just joking around.
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I would play my Dungeons and Dragons songs and watch people's eyes glaze over, and then I would start joking around between songs, and all of a sudden people were lighting up and engaging.
I was in a hotel with my dad, and I was just joking around and said, 'Oh yeah, Daddy, I want to model.' I don't know - the camera is just fun.
I remember hanging out at Starbucks. There were these older guys who would sit around and play Crosby, Stills & Nash songs. I was just so in love with music. I would just go hang out with them, and I would try to sing and harmonize with them. I didn't even know the songs.
When I was 18 years old, I went on the road with my dad after I graduated from high school. And we were riding on the tour bus one day, kind of rolling through the South, and he mentioned a song. We started talking about songs, and he mentioned one, and I said I don't know that one. And he mentioned another. I said I don't know that one either, Dad, and he became very alarmed that I didn't know what he considered my own musical genealogy.
Michael [Douglas] is, I think, a great actor. He's made some very interesting pictures. When he was going to college, I was very proud of him, but when he said, 'Dad, I want to be in a play,' he had a bit part. I went to see it and Michael said, 'Dad, how was I?' I said, 'You were terrible.' I thought he would go on to be a lawyer and in three months, he was in another play and I went and, I must admit, he was great. I think he has been good in everything he's done.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
My dad and I used to watch 'Ninja Warrior' all the time back when it was in Japan. I would always say, 'I could do that,' kind of joking, but obviously kind of serious.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
I do what I did as a hobby as a kid, you know, and make a living at it. And I just feel like I'm one of the luckiest guys in the world 'cuz I get paid to make toys and play with them.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
Growing up, I was definitely surrounded by music all the time. My parents used to always play music; my dad used to have reggae on. I remember walking around with a cassette recorder, and I used to just record the songs I would hear on the radio so I could play it back when I feel like.
I watched Italia '90 with my Mum and Dad and my brother, you know, leaping around the house when the penalties were on... It would be great to be part of that, to have that kind of impact.
I went and took golf lessons so Dad would let me play with him. I was just terrible... but I was able to have a wonderful time just walking around with Dad. I can see the real pleasure of that game.
So when I was working with Amy Winehouse on "Back To Black," you know, she had all these beautiful songs, incredibly well-written and just her on an acoustic, nylon-string guitar. And she'd play them for me, and then I would kind of drum up my idea of what I thought - make a demo with what I thought the drums should be doing, the guitars - like, quite a crude demo.
I think, when you get to know somebody on a personal level were you truly understand what makes them tick, what they play for, things they like to do in their spare time, you're around their families, I think you're kind of able to kind of coexist more when you have a relationship.
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