A Quote by Romeo Santos

I'm reaching a huge audience. I'm doing what artists like Beyonce are doing in terms of selling out stadiums. The difference is my audience speaks Spanish. — © Romeo Santos
I'm reaching a huge audience. I'm doing what artists like Beyonce are doing in terms of selling out stadiums. The difference is my audience speaks Spanish.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
I think you have a crossover when you are known to a wider audience and a different market. I've been able to sell out stadiums all over the world by doing my music. I'm lucky to be in that list without having done an official crossover. Now, will you hear me doing a little bit of R&B? Sure.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
It's weird how the Internet changes everything. The kind of narrow casting... instead of reaching for a broad audience, you are reaching for a more targeted audience.
I think that artists, at a certain point, can either become defiant and say that the audience is wrong, readers don't get them, and they're going to keep doing it their own way, or they can listen to the criticism - and not necessarily blindly follow the audience's requests and advice.
I still perform live primarily. I just keep traveling and doing live shows. The main difference in film, you know in your mind that you are doing it for posterity, you are doing for the eventual audience and it will be around forever.
President Bush appeared with Arnold Schwarzenegger at a huge campaign event. Only in California can a governor who speaks German and a president who can barely speak English try to make themselves clear to an audience that's primarily Spanish.
Most of what I like doing in performing is connecting with an audience. What's the point of doing standup if you're not doing that?
I like the idea of being out there regularly with an audience and with a funny gang of people. That's what I grew up with - doing television, doing shows every week.
When you're doing stand-up, you achieve an intimacy with the audience you can't get on TV. There's not a better feeling in the entire world then when you look out and see the audience is identifying with you.
But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.
When a performer goes out on a stage, they may feel the audience is judging every aspect of them and their life. In fact, all that poor audience is doing is waiting to be entertained a little.
I think you have to do the stories that interest you and hope an audience likes it, rather than doing stories that you think the audience will like, whether you like them or not. I think there has to be something that you find compelling and interesting, and then hopefully an audience will agree with you.
If I have a huge audience, I'd like a bigger audience; maybe slightly a slightly more illustrious audience.
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