A Quote by Romeo Santos
I grew up in a neighborhood that had a lot of things to offer, good and bad.
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I wasn't a bad kid. I was a good kid. But I had gotten in a lot of fights 'cause in the neighborhood I grew up in, that wasn't equated with bad behavior almost. I mean, we'd fought like it was another game. 'You wanna play stick ball today?' 'Nah, let's go fight.'
When I grew up, I lived in a neighborhood that had social clubs. It's never delightful to glamorize one's youth. My neighborhood was poor. But people felt part of the neighborhood. This was in Rockaway Beach, Long Island.
My neighborhood was a great neighborhood; it was filled with all sorts of ethnic groups and things. So I grew up thinking I was a human being.
I'm an only child and grew up in a bad neighborhood. My parents weren't well-off, but they would save up to get me video games. Games were something I did because I couldn't really go outside where bad things were going on.
I was never a 'bad' kid, but I did get into minor juvenile trouble. Look, I grew up in Brooklyn. This was the '60s, and the neighborhood was rapidly changing and not without its problems. All the kids of the neighborhood 'did their thing,' breaking windows and the like. I was no different.
When I grew up, I had everything you could ask for, and I kind of didn't appreciate it. Because it was a given for me. Everybody that grew up in my neighborhood was going to have an opportunity to go to college. I took that for granted. I always regret that.
Even though the neighborhood I grew up in had some unhealthy elements, there was a caring there where you knew that you didn't want to get caught doing something wrong. There were bright spots in the neighborhood where I felt nurtured on a community level.
Being in the neighborhood and the poverty stricken environment that I grew up in, I took a detour. I gravitated towards some of the individuals that did a lot of the wrong things with the right intentions.
I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.
I grew up playing war. We threw dirt and rocks at each other. We'd lead attacks. We'd break up into squads. It became a neighborhood thing for a while, our neighborhood against the other neighborhood. There was always a war breaking out somewhere.
Mexico City is very different now than when I grew up, but I was in the streets all the time - though I was born to a middle-class neighborhood where there weren't a lot of gangs and things. I was always comfortable.
Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn't reverse things. It doesn't argue that the good is bad, or the bad is good. What it does is to offer for art, and life, a different - a supplementary - set of standards.
You know the things I went through as a youngster, coming into the business, all the good, the bad and the ugly that came. I'd had a rough life. I grew up single parent. My mom, she was like a father to me.
Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
There was a lot of temptation to do lots of bad things in my neighborhood.
I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
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