A Quote by Romeo Santos
I think you have a crossover when you are known to a wider audience and a different market. I've been able to sell out stadiums all over the world by doing my music. I'm lucky to be in that list without having done an official crossover. Now, will you hear me doing a little bit of R&B? Sure.
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As far as doing TV, I do think there's a big audience out there that could enjoy classical music, but they don't know how to find it, and sometimes by doing different things... crossover things probably make up about 5% of what I do.
Do you think that people ever really do believe they will die, that the world will just go along as always without them? I wonder if we aren't all a little surprised at the moment of crossover, if we don't look back over our shoulders saying, Now hold on.
I never tried to crossover or be in the public's eye everyday. I'm laid back with it and at times I wondered if I was doing the right thing promoting myself staying back a little bit and coming out when I felt that I had too. But when I get all the accolades and hear the things people say it just puts it all together for me man. It's a blessing.
I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.
I've been criticized for doing so - crossover music. But I never claimed to be a pure dancehall artist.
To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.
I wouldn't call myself at all as a crossover artist - I kind of hate that word - but in a way, you need to see me like that, because I'm working in classical music, I'm doing these other projects, and I'm having a rock career at the same time.
For me to be able to reach out to other people throughout all this has been great, people want to hear from me and hear my music right now so it keeps me happy. I cherish every moment. I have a different perspective on everything now. In the end, I think it will make me a better person.
What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.
I don't really look at the charts at all. If anything, I try to out-do what I've done before. I try to make music that I like and I trust my own judgement with what will work with a wider audience. If you compare yourself to the charts, you lose perspective on what you're doing and why you're doing it.
The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.
I loathe most crossover music. Yet I like to think when it comes to Code it's something different.
The beautiful thing about it is that 'Despacito' is not really an English crossover. It was just another song that the world made a crossover. I didn't really push it; it just kinda went there.
Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.
That was the crossover line for us, to be able to play that many shows, sell them out real quick and have that tribe queue up outside and still be a mystery to everybody else.
I'm reaching a huge audience. I'm doing what artists like Beyonce are doing in terms of selling out stadiums. The difference is my audience speaks Spanish.
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