A Quote by Romeo Santos

When I begin working on a production, I don't really think about my previous album or albums. I try to have a real creative process. — © Romeo Santos
When I begin working on a production, I don't really think about my previous album or albums. I try to have a real creative process.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
There is something about the creative process... which is that you can't talk about it. You try to think of anecdotes about it, and you try to explain, but you're never really saying what happened... it's a sort of happy accident.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
Production-wise, 'Looks Like a Job For... ' is an incredible album. I think that the weak point of the album was really me.
I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.
The great thing about albums is it gives you a lot of choices, and we can all say that the album business is dead, but watch Taylor Swift. I don't think it's dead. I just think we've got to hit on the energies that make people want to collect albums.
I'm always sort of reflecting on what I do on what I've done. Usually before I make a new album, I'll listen to the previous albums just to see where I've been.
You need to imagine your gift, the thing you can bring to this world. There's so many creative ways to plug in, connect, engage and contribute. You can be really creative about it. In previous generations, it was so much more cookie-cutter. I don't think that's the case anymore. My career has been so not normal.
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
Soul-the spiritual principle, the creative spark of God-cannot work if you panic. Anxiety shuts down the creative centers. When you can't think, whatever you try to do becomes one blunder piled upon another. If you slow down, the spiritual principle can begin working through you so that you can figure out the solution to the problem that is bothering you.
I've made over 25 studio albums, and I think probably I've made two real stinkers in my time, and some not-bad albums, and some really good albums. I'm proud of what I've done. In fact it's been a good ride.
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