A Quote by Romeo Santos

The way Aventura became successful was so weird. We didn't have a major label. They say everything has a reason, but it's not easy to find. The only thing that was right was the music.
When we started Aventura, I think a lot of - the reason why we became so successful besides, you know, doing good music, was also the fact that it was unique and different and never done.
"My #1 guiding principle for a successful life (learned from J Brad Britton): "Do the right thing; not the easy thing." Everyday, you are constantly faced with choices to do either the right thing (any activity that moves you closer to where and who you want to be) or the easy thing (anything else). In every moment of choice, choose to do the right thing over the easy thing, and your becoming successful is inevitable.
The people at the label were great but at the end of the day our visions didn't match up and I knew I had to do it my way. The potential success that could come with signing with a major label didn't quite outweigh how important it was for me to make my music the way I knew it needed to be made. It was a hard decision to make, but I've never regretted it for a second and it's only become more clear to me after making and releasing Stairwells that it was the right one.
Life is not always easy. And that is a major reason why it is so precious. Many of life's best rewards are possible only because you must work your way through difficult challenges to get to them. If everything in life were easy, there would be no opportunity for real fulfillment.
It's great to be able to find a way to release your music and do what you want to do artistically and not have to just worry about being accepted by the major label industry.
Obviously, as the music business has suffered tremendously, with being able to illegally download everything, it's also become amazingly easy to find new bands, because everyone can put their stuff online. Even if you can't find a record label, you can find these awesome bands, all over the world.
I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.
I had every major label in the world - I mean, any label that dealt with rap music wanted to sign me. I ended up going with Jive Records because I liked everything about 'em.
At the end of the day, I think there is an important moment happening in our society right, and I have to do the right thing. At the end of the day, I don't label myself one way or another. I come from a place where I find it hard to identify with a label. I've dated men in the past, and now I'm dating a woman, and I see it as ultimately no big deal.
I can't believe I got a major-label record deal. My music was quirky, and my voice was so odd and high and girlish, it was like a weird novelty act.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
I love the way I make hip-hop and I refuse to make pop-rap. I don't refuse to make mainstream music, which is why I did a soul record. There was no reason why soul music couldn't get played on the radio and I still wanted to have a relationship with my record label. So, I really enjoyed doing the Strickland Banks album. But there's no point in my trying to release underground hip-hop music on a major label. That part of my talent, or part of my art, had to live somewhere else and feature film was the perfect vehicle for it.
I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.
Over time, the welfare state has become dysfunctional in a surprising way. But in a way it became a victim of its own success: It became so successful at prolonging life, that it becomes financially unsustainable, unless you make major changes to things like retirement ages.
I've put projects out on my own label twice now and been very successful which shows you don't need a major label to back you in this day and age.
I want to be role model for people to be like, 'I don't need a major label to be a successful artist and to have a successful song.'
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