A Quote by Romesh Gunesekera

For me, there is urgency in fiction, even though writing is, in itself, an act against the corrosiveness of time. — © Romesh Gunesekera
For me, there is urgency in fiction, even though writing is, in itself, an act against the corrosiveness of time.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
I think that I had read so much fiction that the craft itself sort of sank into me. I didn't read any 'how to' books or attend any popular-fiction-writing classes or have a critique group. For many years into my writing, I didn't even know another author. For me, a lot of reading was the best teacher.
I don’t think any man writing can worry about what the act of writing costs him, even though at times he is very aware of it.
I wish I had time to do more reading, but I just haven't had much time. But I still find time for writing. I've always preferred writing over reading, even though those things do go hand in hand. But when I do have time, even if it's not writing music, just writing in general - ideas and stories and things like that.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
Writing the past is never a neutral act. Writing always asks the past to justify itself, to give its reasons... provided we can live with the reasons. What we want is a narrative, not a log; a tale, not a trial. This is why most people write memoirs using the conventions not of history, but of fiction.
For me, writing plays is far more an act of the mind than of the emotions. It's a very different kind of impulse than fiction writing.
I've found you can go on writing in the dark, and that the act of writing itself, that mysterious, dangerous, intoxicating, absorbing, nourishing magician's trick, that act of creation is its own light.
Creating a family in this turbulent world is an act of faith, a wager that against all odds there will be a future, that love can last, that the heart can triumph against all adversities and even against the grinding wheel of time.
It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life. And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself. Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, "Listen to me."
When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.
Fiction and screenwriting blend for me. I feel like being a TV writer/screenwriter has definitely made my fiction writing better, although I have less time to do it.
Everywhere, the ethical predicament of our time imposes itself with an urgency which suggests that even the question Have we anything to eat? will be answered not in material but in ethical terms.
Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull - to encourage them to do a kind of poetic work.
This site uses cookies to ensure you get the best experience. More info...
Got it!