A Quote by Romesh Gunesekera

I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write. — © Romesh Gunesekera
I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write.
Once I began college, I was committed to writing, which I think is different from saying I wanted to become a writer. I knew I would always write; I just wasn't always sure how I would go about doing so.
I knew I was a writer; I wanted to be a writer, but I didn't know what to write.
If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."
I knew that I wanted to be a writer even before I knew exactly what being a writer entailed
I knew that I wanted to be a writer even before I knew exactly what being a writer entailed.
You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
I knew I wanted to be a writer before I knew that being a writer was possible.
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
When a young writer deliberately tries to create an effect, the result is often a little self-conscious and overdone. But why is it so hard for us to glory in what the writer has tried to do, or even in the very fact that the writer has deliberately tried to do something?
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
It wasn't a decision to become a writer. I wanted to become a writer of crime fiction. I was very specific.
All I've wanted to do is write. In school I just wanted to be a writer but I was afraid to be a writer because I felt I couldn't. It didn't really feel like my writing was interesting enough, so getting a book published was a huge kick.
I'd wanted to be a writer since I was knee-high. Once I knew that books were written by people and didn't just happen, it was obviously that I would write them, too.
I knew very early on I wanted to be a television writer. My teachers told me I was a strong writer and had a voice. I really leaned in to that.
As soon as you become a writer, you lose contact with ordinary experience or tend to. ... the worst fate of a writer is to become a writer.
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