A Quote by Romesh Ranganathan

There is a magical, unexplainable phenomenon that still occurs to this day where, however funny you think the material you've written is, as soon as you turn up to a gig to try it out, it becomes almost incoherent.
We should not assume; however, that just because something is unexplainable by us, it is unexplainable.
If you don't get a laugh I immediately think it's somebody else's fault. You can always blame the material. But when it's just yourself and songs that you've picked up because you love them and stories that you've written yourself and patter you think is really funny if that tanks, there's no one to blame it on. God knows, I try!
I posted a video a day for almost two months and was hardly sleeping, but I think it really pushed me to give music everything I had in me. I knew it was a chance I couldn't miss. The funny thing is I never saw my music video when it aired during the Super Bowl because as soon as I heard my song start I was in tears for the next 10 minutes! The most amazing thing that came out of all of this, however, was the support that had developed online. Without the people that came back day after day to vote for me, I'd be nowhere, and I really owe it all to them.
I don't think I've ever written a poem whose intention was just to be funny. I've written poems that start out funny and often shift into something more serious.
I'll just talk and talk for an hour, an hour and half, until funny things come out of my mouth - often things that I don't think will be funny, often things that I just thought were sentences, turn out to be funny, because they're the sentences of an idiot. There's level of self-awareness that develops, and I write down things that were funny, usually when I'm on stage, and that becomes the show.
Real change occurs from the bottom up; it occurs person to person, and it almost always occurs in small groups and locales and then bubbles up and aggregates to larger vectors of change.
I think I probably learned something from almost every gig that I've done, not only because each occurred at a different phase of my development, but because each one had something different to offer. Ideally, you should be able to get something out of everything, positive or negative. And if it's negative, try to turn it into some kind of learning experience.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
It's usually very, very hard for me to pick up a script that was written and try and see myself as a part of that, especially when you're used to performing all your own material. It's OK with drama, I like being handed great material but I think with comedy it's far more personal and probably a lot harder for me to find a fit.
I don't know if this is true of everyone, but I have this relationship with my parents where, despite however mature or articulate or grown-up I think I've become, as soon as I go home, I turn into this petulant 13-year-old, especially with the tone of my voice.
Man, it was a great ride back in the day. Obviously, I started out in WCW, and I was a good mechanic back in the day. Got fired from that gig, made a turn for ECW.
Of course I don't use my A-material, it doesn't matter if they think I'm funny or not because they won't be thinking anything pretty soon anyways, if you caych my drift.
Well, I don't know if this is true of everyone, but I have this relationship with my parents where, despite however mature or articulate or grown-up I think I've become, as soon as I go home, I turn into this petulant 13-year-old, especially with the tone of my voice.
It's a job. Get up and do it every day. Show up. Don't say no. Taylor Swift was the third write of my day every week. If I had gone home or said “Ah, man. I'm tired today. I'm not going to write at 4 o'clock in the afternoon with a teenager.' If I had done that, just think. Keep an open mind. Everybody has something to come into the room with and when you're starting out, try everything. You might find your magical writing partner.
When you're doing comedy, you're not trying to be funny. I think things are funny when the character is taking it totally seriously. I think when people are winking, it becomes slapstick, it becomes something else.
There's something I find highly embarrassing about it. As soon as I think I've written something smart, the next day I've got nausea, thinking, "Don't even try to be smart, it's absurd."
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