I've known the glory of the stage and the glory of the spotlight. I still crave it. I want to be on 'American Bandstand' and 'Soul Train' as a solo artist. As a producer, songwriter and arranger, I help other artists say what they want to say. But on my records, I say what I want to say.
You have to learn to say no not just to things you don't want to do, you have to say no to things that you want to do, things that are good to do. You have to realize that every time you say yes to one thing you've got to take something else off the plate. Critically, I think you have to realize that it's easier to say no than to say maybe.
People say strange things, the boy thought. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
If they don't have the guts to come up here in front of you and say, 'I don't want to represent you, I want to represent those special interests, the unions, the trial lawyers ... if they don't have the guts, I call them girlie men.
As you get older, you mellow, but there's a natural propensity to watch what you say, 'cause you learn that you want more time and space to craft what you want to say because you're less likely to want to say impetuous things, or things that aren't thought-out properly.
I get a lot of e-mail messages from people who say thanks for giving them a place to vent, an outlet to say what they can't say in real life with friends and work colleagues - things that they know are wrong, but they still want to say. Is it right? No, of course not. People say some disgusting, vile things.
You know, we spend so much of our lives not saying the things we want to say. The things we should say. We speak in code, we send little messages. Origami. So now, plainly, simply. I want to say that I love you both.
Let us not look east and west for materials of conversation, but rest in presence and unity. A just feeling will fast enough supply fuel for discourse, if speaking be more grateful than silence. When people come to see us, we foolishly prattle, lest we be inhospitable. But things said for conversation are chalk eggs. Don't say things. What you are stands over you the while, and thunders so that I cannot hear what you say to the contrary.
People say a lot of mess about celebrities. In the social media world, celebrities are able to go online and see nice things and horrible things written about them - but these people on the Internet wouldn't have the guts to say it to their face.
It's not that people want to be like me, but some want to say the things I say and can't because they're afraid. I say it for them.
I could never be on stage on my own. But puppets can say things that humans can't say.
When you see a comedian on stage, the best comedians make it feel like a conversation. But it's not. We have very little interest in what an audience has to say during a performance. Being a stand-up comedian, you're an egomaniac to some degree. Everyone wants to hear what you have to say, apparently. That's not how real relationships work.
I've found that if I say what I'm really thinking and feeling, people are more likely to say what they really think and feel. The conversation becomes a real conversation.
When I say that I love you, I don't say it out of habit or to make conversation. I say it to remind you that you're the best thing that's ever happened to me.
The only thing I do is say what everyone else is thinking but doesn't have the guts to say.
Not to want to say, not to know what you want to say, not to be able to say what you think you want to say, and never to stop saying, or hardly ever, that is the thing to keep in mind, even in the heat of composition.