A Quote by Romesh Ranganathan
Years later, when I was working as a trolley wally in a supermarket, I tackled the boredom by talking to the customers in as many different accents as I could manage. I started with one that I didn't think would alert any suspicion - generic Asian - then moved on to Irish, Welsh, Australian and American.
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What's the difference between the Lib-Dems and a supermarket trolley? A supermarket trolley has a mind of its own.
It was a proof of Welsh good nature: so long as I had a friend that knew and could introduce me, the whole Welsh people would do anything to entertain, and would even neglect their business to do so. But as a stranger in Wales, it is difficult to break through their suspicion and mistrust.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
My mom is African-American, Native-American, Irish, and Creole, and my father is of Jewish, Russian, and Polish descent. It's made me who I am. Because of my diverse background, I think I can relate to many different people, different stories, and different communities.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.
My brother often complains to me about the 'angry Asian male' in the United States. As a female, I haven't encountered this, but Asian-American men are angry. They're angry because, for so many years, they've been neglected as sex symbols. Asian women have it much easier, I think; we're accepted into various circles.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
We started with the basics of kicking and punching, then we moved on once we got proficient in that, we moved on to working with the weapons, and from then on working with the wires.
But 'Love My Way,' it would be incredibly difficult to resist jumping back in all these years later. I think it would be a very interesting thing to do. We have all moved on with different things. It was such a long time ago but, because the drama was so beautifully written and crafted, it would be irresistible probably.
My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean. My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn't want to be a phony, but I felt very authentic in the moment.
I think it's not an accident that you don't have that many Asian American women writers who are breaking out. I don't think it's an accident that you don't have that many Asian American writers, either women or men. I don't think that immigrants are encouraged to become artists. That's very gendered and racialized and ethnicized.
British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.
In Australia, it's people from Asian countries who most often recognise me. There are often people just looking at me at the supermarket, like they're shocked to think I would go to the supermarket.
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