A Quote by Romesh Ranganathan
People assume that your audience is full of people who love you. But, typically, it's one person in four who's chosen to come and has convinced some other people to go with them.
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I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
I do get stressed at times, but I love what I do as an actor. This is the part that I don't like. I don't actually like talking about - I wish I could just go and get on with my job, because I love getting a script, breaking it down, working with other people, bonding with other people, fighting with other people, and out of those arguments, creating something that nobody expected and seeing it all come together. Telling a story, having an impact on people's lives, moving them and making them laugh.
I have a pretty diverse audience, and that makes me happy - laughter is universal, and I don't differentiate between people at all. Why should I? People are people. There's no reason why one person can't relate to any other person on this planet in some way or another.
Doing this web show - people underestimate what it takes to do a web show successfully. They underestimate the amount of work that you have to do to get it to your audience after it's made. I think you have to work so much harder, especially if you don't have a huge budget. You have to know how to get your audience engaged, because the Internet is so distracting, and there are so many choices. People, even if they love your show, will forget to go back for episode four, because you know, people are busy.
I get the Playboy thing a lot. People assume I go out with bimbos. I couldn`t go out with bimbos if I tried! I scare them off! The women that like me are smart. So I go to the Playboy Mansion four or five times a year, but people think I go all the time.
The music business is filled with some nice people but a lot of strange people, so when you come across someone who's really genuine at an environment as bizarre as an awards show, you typically gravitate to them.
Most people I meet are secretly convinced that they’re a little crazier than the average person. People understand the energy necessary to maintain their own shields, but not the energy expended by other people. They understand that their own sanity is a performance, but when confronted by other people they confuse the person with the role.
I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.
Once you assume your right to interfere in other people's problems they become in some ways more of a worry than your own, for with your own you can at least do what you think best, but other people always show such a persistent tendency to do the wrong thing.
People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
A couple you do not recognize - visitors, strangers - come to the door. How are you to view these people and what is your responsibility towards them? ... To assume that these visitors are really like you, that there are no real difference between you and them, and that the highest goal possible is that you and the other members of your congregation will become intimate friends with them and invite them into the private spaces of your life.
I can't help other people's frustrations. I don't owe people anything. If people would like to come to my concerts, I'd love them to come. And if they like the music that I make, I love that, too. But I do not make music for other people. I make it to please myself.
I hate firing people, we had to go through four crews, people are disrespectful but people do appreciate The Room and I love them all. That's why I am coming to Canada! I want to meet all my Canadian fans!
I've discovered that Motown and Broadway have a lot in common - a family of wonderfully talented, passionate, hardworking young people, fiercely competitive but also full of love and appreciation for the work, for each other and for the people in the audience.
My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life. I mean, we're so different [in the cast], some of us. Miles apart. [But] when I see anyone from those days, I tap into that instant love for them.
Black people in America have come from slavery to other forms of being oppressed and there are some things that come with that - some pain and anger that come with that and we as black people have to deal with it to heal that. White people have to understand it and have some compassion toward it.
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