A Quote by Romesh Ranganathan
Being away a lot on tour means that my family has to suffer an inordinate amount of overcompensation, as I return home with skewed ideas of what counts as quality time. I will force everyone into a cinema trip, insistent that three hours in the dark in silence is the perfect way for us all to re-engage.
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Most of us think we don't have enough time to exercise. What a distorted paradigm! We don't have time not to. We're talking about three to six hours a week - or a minimum of thirty minutes a day, every other day. That hardly seems an inordinate amount of time considering the tremendous benefits in terms of the impact on the other 162 - 165 hours of the week.
When I'm on tour, I'll just fly the family out, I'll put 'em on the bus with me. They don't have to be there the whole time, but if I'm gone a certain amount of time, you know I'm definitely gonna fly them out. And then a lotta times when I'm home, I do spot dates and stuff on the weekends, because I always want spend quality time with the family. Family at the end of the day is everything, and I value that.
Being on a comedy tour is like traveling with family, everyone is all having a great time... then all of a sudden it turns sour. One thing gets said out of turn, and everyone is on everyone's last nerve. After an hour of silence, we all start laughing about it.
The craziest part of being on tour is being overseas and having crazed fans so far away from home. They don't speak English, but they still know the lyrics. That's a trip.
But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.
This is what life is about. It is being sent on a trip by a loving God, who is waiting at home for our return and is eager to watch the slides we took and hear about the friends we made. When we travel with the eyes and ears of the God who sent us, we will see wonderful sights, hear wonderful sounds, meet wonderful people ... and be happy to return home.
Playing three games each week, you are away a lot. So, yeah, moving away from family and friends and being away all the time would have to be my biggest sacrifice.
I will say that there is an inordinate amount of medicine in my novels, especially the first one. There are a lot of medical things that happen. A hip fracture, three different kinds of lung cancer, pneumonia, blood poisoning, and so on.
Venture capitalists are professional money managers. We are provided capital to invest as long as we can return it to our investors with a strong return in a reasonable amount of time. A strong return is three times cash on cash. A reasonable amount of time is ten years max.
My whole thing is having the perfect balance. Let's say I go to school. I have a day at school. That's the perfect amount of reality. Then I go and play music with my band. Then I go home and hang out with my family and my pets. I think that's the perfect amount of reality time.
I've also never written about home in this way before. I guess a lot of it is subconscious and I am intuitively making these decisions when I'm writing. I wanted to communicate in the book that on one hand, being at home - both in our homes and in DeLisle - gives us a sense of belonging and family and safety, but at the same time, being in those places makes us less safe.
July 4 is the perfect day to relax. It also provides a very good chance to spend quality time with friends and family since everyone is able to get away from the hassles of every day life, such as work.
When you are on tour in the UK it takes a few hours to get anywhere. A lot of the time you can have a beer, close your eyes for two minutes, and then you are there. In the U.S. it is much more like a road trip as all the cities are so spread apart.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
The pressure we put on ourselves to produce this perfect... operatic... version of ourselves really puts an inordinate amount of stress and tension on us.
I moved to Hollywood when I was 22. I was married. I had a kid right away. And I had worked as a furniture mover amongst various other jobs, and I'd work eight, ten hours a day to support my family - and I'd come home and write for two hours a night or two and a half, or three hours a night.
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