A Quote by Romola Garai

I think it's very repressive for a woman to be constantly told that she has to make films about women to better represent women, but then the reverse is not found. — © Romola Garai
I think it's very repressive for a woman to be constantly told that she has to make films about women to better represent women, but then the reverse is not found.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
I've always loved independent women, outspoken women, eccentric women, funny women, flawed women. When someone says about a woman, 'I'm sorry, that's just wrong,' I tend to think she must be doing something right.
No woman should be told she can't make her own decisions about her body. If women's reproductive rights come under attack, I will be standing up for women.
One woman told me that every time she wears Lanvin, men fall in love with her. Another told me she wore Lanvin to face her husband's lawyer because she felt protected. If I can make men fall in love with women and if I can protect women, I think I can die peacefully.
There’s something very important about films about black women and girls being made by black women. It’s a different perspective. It is a reflection as opposed to an interpretation, and I think we get a lot of interpretations about the lives of women that are not coming from women.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
I don't see what women see in other women," I'd told Doctor Nolan in my interview that noon. "What does a woman see in a woman that she can't see in a man?" Doctor Nolan paused. Then she said, "Tenderness.
There's no way I can represent for everyone. I can't represent for all women or all big women or all black women. It's important for people not to make celebrities their source of who they should be in life. I can't take on the pressure of being perfect. Nobody is.
I've played lots of strong women in film, in big Hollywood films, and I've sometimes had a hard time in coming to a consensus of what makes a woman strong. What is it that positions her as a force to be reckoned with? And I think it's because there's an expectation from the get-go that she isn't. If you're not starting from a deficit as a point of view, but you're starting from an assumption that says, "Well, this is what women really are," then it's a really freeing experience as an actor and as a woman.
It turns out that a lot of women just have a problem with women in power. You know, this whole sisterhood, this whole let's go march for women's rights and, you know, just constantly talking about what women look like or what they wear, or making fun of their choices or presuming that they're not as powerful as the men around. This presumptive negativity about women in power I think is very unfortunate, because let's just try to access that and have a conversation about it, rather than a confrontation about it.
The modern challenge to motherhood is the eternal challenge--that of being a godly woman. The very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom to we hear of a godly woman--or of a godly man either, for that matter. I believe women come nearer to fulfilling their God-given function in the home than anywhere else.
It's not that I only want to make films about women, but from my experience, I have been very interested in the women who play these characters.
Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera.
I don't know if my films are about women in a kind of frolicking - here's a grab bag of women's issues. They are about women of substance with very particular stories.
There is a theory, that I rather subscribe to. The frame story implies that if he doesn't change, she will kill him. It's all very complex and subtle. The story is about a woman who persuades a man in power to a different temper and attitude, and so it is about women's wiles, what women will get up to. She has a plan, she has a scheme.
Critics often say, 'Oh she makes films about strong women'. Wrong; I make films about complex characters and the choices they make.
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