A Quote by Romola Garai
The last thing a director needs is an actress who feels an ownership towards a particular character.
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I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
It's interesting in seeing when I'm talking to men in particular and telling them I'm an actress versus a director and the different turn the conversation will take when I say I'm a director. The level of respect is very interesting.
I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.
In 'Kalank,' I am playing a character, which is quite strong, quiet a little complex yet interesting, that drew me towards the character when I heard the narration from director Abhishek Varman.
When a director from Hindi cinema is looking for an actor from another language, it will be only because he feels the character justifies this and that can only be for a well-written character.
That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.
The main thing the composer needs to do is it needs to remember that the director is there to cheer you on. The director wants you to succeed because if you succeed, you'll be helping the film. And they are truly your conscience. And they're truly your guide.
I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles.
If I really want to do something, I'll go in and do whatever the director feels that he needs me to do.
I just wanted to be like J.Lo when I started. The last thing I want to be is a model-slash-actress. But I love actress-slash-musicians.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
I am very ambitious and have set goals for myself. I really don't keep a tab on what my contemporaries are doing. I want to push myself as an actress and don't want to get into the rat race. With every film, I want to grow as a person and an actress. The character I play needs to change me in real life.
I'm a character actress, and my particular brand is more mature, so I had to wait until my age caught up with the tricks in my little arsenal.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles. Does that make sense?
Everything feels so personal when you're an actor because you're so open and vulnerable, and you have to trust your director to guide you to where the storytelling needs to go.
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