A Quote by Romola Garai
The point of being a movie star is that people cast you in a role. Actors tie themselves in knots trying to get out of that.
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My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
Moderate Republicans are reverse Houdinis. They tie themselves up in knots and then tell you they can’t do anything because they’re tied up in knots.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
The casting is the most important thing. If you cast a picture really well a lot of things take care of themselves. You get actors that like to give a lot to the role and who appreciate the role on the same level that you do. If you miscast it, you're working an uphill battle a little bit and maybe you can come out okay but you can't always come out great.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
Models have a stigma that they can't act. You're also, to be quite blunt, you're tall and not a lot of actors are tall and when you are starting out you're obviously not the first one cast, so you're trying to fit into a mold. You're quite often not cast as the quirky best friend, but you don't have the experience to be cast as the lead. So it can be really tricky. One of the biggest things is just to get your people, so to speak, your agents and managers to take you seriously. That's one of the issues I had when I came out to LA.
Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.
Life is like a piece of string with a lot of knots tied in it. The knots are the karma you're born with from all your past lives, and the object of human life is to try and undo all those knots. That's what chanting and meditation in God consciousness can do. Otherwise you simply tie another ten knots each time you try to undo one knot. That's how karma works.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.'
Where the electron behaves and misbehaves as it will, where the forces tie themselves up into knots of atoms and come united.
People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
When you screen it the first couple times, you're just trying to get the movie to work, trying to get the story to flow, trying to find out where your areas are where you have enough breath to laugh a little bit. So you're doing that the first two or three screenings, and then finally, you dial the movie in and it's working, and at that point, it's 50/50 as far as what's funny and what's working. Sometimes you'll put something in and it will just die so hard that it'll almost kill the movie.
If you can't tie good knots, tie plenty of them
Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.
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