A Quote by Romola Garai
There are people who you see on screen and think, 'Wow, that's a slim person,' and in the flesh they look nearly dead.
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Let’s think of reverence as awe, as presence in and openness to the world…Try walking around with a child who’s going, ‘Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!’ And the child points, and you look, and you see, and you start going, ‘Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!’ I think this is how we are supposed to be in the world – present and in awe.
This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
I don't want to ever look cheap on screen and want my viewers to squirm in their seats when they see me in such a scene. I'd rather wow them with my physique.
It's a very different thing when you're able to read something and see it in your mind, then to imagine it on screen. It's emotional transference that you don't have in literature that you have in movies. People invest in the person they see on the screen and they can't shift gears.
I don't know how often white people look around and think, 'Wow, there's really a lot of white people here; we should fix that.' But I know black people often look around and think, 'Wow, I'm the only one here - why?'
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
It's so important to have representation for all races on TV. All people, from all walks of life. So when other people look at the television screen they can see and identify with that person doing great things.
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
When I look at my streams on Spotify, and I just see it's hundreds of millions of streams, I think, 'Wow, that's amazing.' But you don't really get it. Once you see people in front of you singing along to your songs, it's real.
Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
When people see me as Gavaskar on screen, I want them to feel that they are looking at the person that they have known and when I play on screen, it should remind them of how he played.
I think representation is the most important thing in the world. People who are young look up to the things that they see in the media. They want to relate and to be able to say, 'Wow, I can be successful.'
People think I am dead because they haven’t seen me around for awhile. I’m not dead, I’m very much alive, as you can see. Although, there are two things I do before I get up every morning. I look around and if I don’t smell flowers or see candles flickering I go ahead and get up.
My idea of a good picture is one that's in focus and of a famous person. People are only glamorous if you don't see them. Like the movies used to make people years ago. There is something about people on screen that makes them so special; when you see them in person, they are so different and the whole illusion is gone.
You see a person when you look in the mirror that no one sees but you. Other people see a person when they look at you, but you're not that person, either.
Did you ever see the customers in health - food stores? They are pale, skinny people who look half - dead. In a steak house, you see robust, ruddy people. They're dying, of course, but they look terrific.
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