A Quote by Romy Madley Croft
I taught myself how to use a multi-track tape recorder, which was the first time I recorded myself.
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Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
After discovering the Ramones, I discovered really crude ways to multi-track by taking another cassette recorder and plugging that into the eight-track, playing it back, so that as I was recording with the mic in my guitar, I could have another cassette player I had recorded on feeding into the recording.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
Many of my characters first came through to me as voices. That's why I use a tape recorder.
I think there is an enormous diference between speaking and writing. One rereads what one writes. But one might read it slowly or quickly. In other words, you do not know how long you will have to spend deliberating over a sentence. ... But if I listen to a tape recorder, the listening time is determined by the speed at which the tape turns and not by my own needs.
I have a younger brother and sister who actually play in my band, and we were always into Disney music, big time. The first time I heard myself sing was when I recorded myself singing a Disney song. I remember it because it was awful, and I didn't expect to hear that. I think it was 'A Whole New World' from 'Aladdin.'
So I use a tape recorder a lot to record ideas.
Everything I'm doing musically is for its own sake. I'm recording at my house, trying really hard to write songs with a four-track tape recorder.
I taught myself how to play the guitar, I taught myself how to play the drums, and I kind of fake doing both of them. But drumming comes more natural to me, and it just feels better.
I began to see myself as someone who can help others understand diversity rather than feeling like a social outcast. Ellen taught me to not care about other people's opinions. She taught me to be truthful. She taught me to be free. I began to live my life in love and complete acceptance. For the first time I had truly accepted myself.
I never do formal interviews. I don't use a tape recorder. I take notes but occasionally.
I've woken up from dreams and the whole song is there. I'm listening to it in my dreams. I consciously have to wake myself up and get a tape recorder because I hear it like a record.
Yoko Ono is someone who's music I've discovered more recently. The current cd rereleases of her albums all had bonus tracks recorded just with a tape recorder and I'm really into these at the moment because they have a great intimate feel.
I used to entertain myself - I taught myself to use stilts and juggle and ride a unicycle. But I was never immediately interested in theatre.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
I taught myself to use a camera - it's not very difficult to use a camera, but I never bothered looking at any textbooks on how to make a picture. I had a much more casual relation to it. For me at the time it was much more about the process rather than the results.
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