A Quote by Romy Madley Croft

I started out writings songs for what I thought was going to be a maximum of five people down our local pub. — © Romy Madley Croft
I started out writings songs for what I thought was going to be a maximum of five people down our local pub.
The scarily brilliant Romantic poet and visionary William Blake dared to say what many of us have perhaps thought but kept to ourselves: “A good local pub has much in common with a church, except that a pub is warmer, and there’s more conversation.
Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do them.
I got started acting by going to auditions that my mom found in the entertainment section of our local news paper. Then, I got a manager and started going out on more auditions.
A good local pub has much in common with a church, except that a pub is warmer, and there's more conversation.
When I first started doing exhibitions, you'd have 20 people down the pub, if you were lucky.
There are so many great animals in our local shelters that people don't really know about. Annually, two to four million animals are euthanized, and we can bring that number down significantly by going to our local shelter and adopting and also by spaying and neutering your pets.
I started playing guitar when I was in eighth grade, and that led to trying to write songs and trying to figure out how to play in bands. That led to meeting people, and getting into the local punk rock scene, and going to shows. So that was how I really got into the culture of it.
Before we really started writing our own songs in the James Gang, we'd play covers, and then, in the middle of them, we'd go for a jam for four or five minutes. At some point, we had six or seven of those sections, and we didn't need to cover other people's songs anymore.
When recording, whatever you first think about, you come out with something totally different at the end of it. Whatever plans you have you throw away, because it's always going to end up sounding pretty different from what you initially thought of. I probably only had about five or six songs when I started, and it just sort of flowed from that.
We have been assured, Sir, in the Sacred Writings, that 'except the Lord build the House, they labor in vain that build it' I firmly believe this; by our partial local interests; our projects will be confounded, and we ourselves shall become a reproach and a by word down to future ages.
People know me but can't quite place me - they squint at me like I might be their old school teacher or a woman they've seen down the local pub.
Welsh is my mother tongue, and my children speak it. If you come and live in this community you'll work out pretty quickly that it's beneficial to learn the language, because if you're going to the pub or a cafe you need to be a part of the local life.
There's a lot of people out there who have seen us once somewhere in a pub or heard our songs late night on radio. We'd done four years of it before we'd even released a single. It's put us in good stead.
I'd always wanted to do an R&B and soul record; a friend with a studio asked to come by and record a couple of songs, maybe just make a 45. Then the songs started to pour out, and pretty soon we had eight or 10 songs down.
The Bible is a collection of writings by lots of different people written over maybe a thousand years, from a number of centuries before Jesus to a century after Jesus. I often like to refer to it as "the Scriptures" to make that point about it being lots of writings that were originally separate. What these writings have in common is that "the Old Testament" is writings that grabbed the Jewish people; writings that convinced them that they were God's word to them. And "the New Testament" is writings that grabbed people who believed in Jesus in the same way.
I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.
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