A Quote by Ron Cephas Jones
Every actor wants that - to have a great character and then continue to add more into the depth of his life.
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Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.
I think every leading man wants to be a character actor, and every character actor wants to be a leading man.
What an actor says is much, much less important than a life, so that's the great use for improvisation; you go, you find the life and then you add the words.
Life as a performance is just a way to look at life choices as character choices. Every morning you choose what to wear, you choose how to wear your hair, you choose your friends, you more or less choose your profession, and how hard you will work at it. Those are all things that an actor decides about his character when he is performing, and they are things that we decide in life. We create our "character."
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
The great exception to that, of course, is Johnny Depp, who is absolutely the ultimate character actor. Johnny Depp is the future of the character actor and thanks to his success maybe we will see the return of an era when my sort of actor is back in vogue. It's not in vogue for me to be in Hollywood movies as lots of different people.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
Life consists of sadness too. And sadness is also beautiful; it has its own depth, its own delicacy, its own deliciousness, its own taste. A man is poorer if he has not known sadness; he is impoverished, very much impoverished. His laughter will be shallow, his laughter will not have depth, because depth comes only through sadness. A man who knows sadness, if he laughs, his laughter will have depth. His laughter will have something of his sadness too, his laughter will be more colorful.
If I had my life to live over again I would not devote it to develop new industrial processes: I would try to add my humble efforts to use Science to the betterment of the human race. I despair of the helter-skelter methods of our vaulted homo sapiens, misguided by his ignorance and his politicians. If we continue our ways, there is every possibility that the human race may follow the road of former living races of animals whose fossils proclaim that they were not fit to continue. Religion, laws and morals is not enough. We need more. Science can help us.
The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
My hope is that I'm going to continue to make more and more challenging work that's going to come out more and more interesting. I don't know if that will always continue to happen, but every one of my films has definitely been a progression as far as complexity of narrative, character, and plot.
The main thing about the character [in the Ordinary World] is that he loves music, and he shares it with his daughter. He's having a mid-life moment, and it's a small moment, really. I think that the character actually really loves where he's at, in his life. He's just trying to have it make a little bit more sense while he figures out what he actually wants to do with it.
It's been a great experience, it's been a great adventure to see people who were like me, who did not know that they had the ability or potential to be a winner in life. Once they discover from God's Word that God wants them to live the abundant life, that God wants them to be successful, God wants them to prosper, God wants them to be a winner then it is amazing how life is turned over on the inside that then they become the winner that God calls them to be.
the depth of a person's character is not measured by his or her physical strength, but by the depth of his or her nobility.
The [Great] Actor is able to approach in himself a cosmic dread as large as life. He is able to go from his dread to a joy so sweet that it is without limit. Only then will the actor have direct access to the life that moves in him, which is as free as his breathing. And like his breathing, he doesn't cause it to happen. He doesn't contain it, and it doesn't contain him.
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