A Quote by Ron Eldard

I feel blessed that I am able to play really dark guys in a business where they usually want you to play the same character over and over. Poor Michael Rapaport will being playing white homeboys till the day he dies. That's not the kind of career I want.
But I hope to maintain my credibility after I stop playing. Because, yes of course, now I play and I score goals and children all over are mad about me. Not just poor children - all children. We can make them really happy by the way we play, though I have to say that it's the poor ones that I think of most, the ones who can't come and watch the games at the stadium. We mean so much to them. That's why I'm so committed to this work. Later, after you've stopped playing, it's harder to have the same impact. But I will give it a go. I want to continue doing this kind of work for ever.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
I really love the piano and I feel very fortunate that I am able to play and travel all over the world as my career.
The success I had as a player, or the career I had as a player, is often based on the guys you play beside, the guys you play with. Playing on the offensive line, you're only as good as your weakest guy up front. I was blessed to play with a lot of guys for a long time.
We, as sportsmen, we're not used to just sitting at home and being at home all day. We want to go out. We want to play sport. We want to be in the gym, want to train; we want to hit balls, and when you're not physically able to do that, it's really tough. It starts playing on the mind a lot more.
I want to play someone really dark, like a real bad guy on screen. But I am sure I won't be able to do so because my fans will not let me do it. They are aggressive. My image is such that no one will allow me to do a negative character.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
I'd much rather have guys play with each other, have the ball moving, less dribbling, more passing, aggressive and decisive. I don't want guys looking over at me to call plays; I want them out there playing.
The Lord has blessed me to play this game. I'm going to try to play it as long as I can. But at the same time, I want to be able to watch my kids grow up, so I've gotten to where I'm a little more mild, and I don't take golf as seriously as I did in the earlier years of my career.
I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
I feel really fortunate that I've been given a lot of roles that were very different from each other. For me, variety is the key. I don't want to play the same thing over and over again.
I certainly feel fortunate in my career to have been able to continue to work in different mediums. I don't ever want to be the guy who gets really good at one thing and just does that over and over and over again.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
I don't wanna keep playing the same song over and over again. It's just thinking about "what's going to be the coolest thing to play on this particular show?" The easiest thing to do is to play the single over and over again.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal.
I want stuff to play as wide as possible. I want to be able to see... if I could play the whole thing in a master and it could be compelling enough, that'd be great. Then it simplifies my day, it simplifies life for the actors when you could just focus on that. But by the same token I don't want to be forced into coverage. So I want it to be as good from every angle and I need to get as many of the kind of shadings that I want from every angle.
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