A Quote by Ron Eldard

I tend toward characters who are more lost than found. — © Ron Eldard
I tend toward characters who are more lost than found.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
With thrillers, I tend to concentrate on the research and pace more than the characters.
History is moving, and it will tend toward hope, or tend toward tragedy.
Many women tend toward the interdependent end of things, we tend to see ourselves in relationship to others to a far greater degree than men.
The past always seems somehow more golden, more serious, than the present. We tend to forget the partisanship of yesteryear, preferring to re-imagine our history as a sure and steady march toward greatness.
All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
My attitudes aren't directed toward characters at all. I don't feel sympathetic toward some characters, unsympathetic toward others. I don't love some characters, feel contempt for others. They have attitudes; I don't.
You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
I tend to use a lot of movement in both camera and characters, and I also tend to give characters a lot to physically do.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
I've always thought darker characters were more fun to play. They're probably not any more complex or interesting than their good, law-abiding cousins, and I'd always tend to see things from their point of view.
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
we found that success correlates more closely with confidence than it does with competence. Yes, there is evidence that confidence is more important than ability when it comes to getting ahead. This came as particularly unsettling news to us, having spent our own lives striving toward competence.
I'm still prone to periods of isolation, still more fearful of the world out there and more averse to pleasure and risk than I'd like to be; I still direct more energy toward controlling and minimizing appetites than toward indulging them.
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