A Quote by Ron Galella

My job is thick with risks, threats, occasional violence and sometimes the necessary folly that sometimes courts humiliation and ridicule. But I don't care. I see myself as the dean of American paparazzi.
The most important point of [Susan] Fiske's work is that it provides a taxonomy for our differing feelings about different Thems - sometimes fear, sometimes ridicule, sometimes contemptuous pity, sometimes savagery.
I say violence is necessary. Violence is a part of America's culture. It is as American as cherry pie. Americans taught the black people to be violent. We will use that violence to rid ourselves of oppression if necessary. We will be free, by any means necessary.
I'm accepting of change, and accepting of transforming myself at any given time necessary. At this point in my life, sometimes I have to be mom, sometimes I have to come to work, sometimes I have to be a wife. I love that I don't ever have to be just one thing.
Sometimes skulls are thick. Sometimes hearts are vacant. Sometimes words don't work.
I write songs as honestly as I can without worrying about genres or labels. Sometimes I sing, and sometimes I rap, and sometimes I do something in between. I jump around on stage and don't care too much about how I look. I try to be myself even though I'm still figuring myself out.
To create anything โ€” whether a short story or a magazine profile or a film or a sitcom โ€” is to believe, if only momentarily, you are capable of magic. These essays are about that magic โ€” which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
If you want to succeed, you have to take the necessary risks and the occasional leap in the dark.
What I do is sometimes - at least in Germany - met with wounding campaigns. I always face the question: should I grow myself a thick skin and ignore it, or should I let myself be wounded? I've decided to be wounded, since, if I grew a thick skin, there are other things I wouldn't feel any more.
The violence is the violence. I understand that we're sometimes squeamish about it, but I think that strength needs to be called on once in awhile, and sometimes that's the only thing that will work.
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
Every song is completely different. Sometimes they come like a lump of clay and it's your job to chip away and find out what's in the center. Sometimes it comes like swimming fish, and you have to follow it and see where it leads. Sometimes it comes totally fragmented.
Sometimes when I am alone in my room in the dark, I practice smiling to myself. I do this to be kind to myself, to take good care of myself, to love myself. I know that if I cannot take care of myself, I cannot take care of anyone else.
Sometimes I am so much my father's son that I give myself occasional creeps.
I don't like violence in movies, I'm not a kind of Tarantino fan. But sometimes it's necessary.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
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