A Quote by Ron Hargrave
The rumors are lies. There were a lot of people said we're not going to play that we don't have a contract. ... We got it worked out got it hammered out.
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I had a teacher at school who said, 'We are going to do a play next year, and you're in it.' He said, 'You should try out for the Royal Academy as an actor.' I did and got in. I was 17. My mum wasn't too happy, but it worked out OK.
Guru died tragically and there were so many rumors about how he went out. I got to see him in the hospital right before he passed, and one of the last things I said to him before I walked out of the room was that I was going to make sure that his family was straight.
Rumors said that if he got drunk enough, he sometimes got his jollies by stripping naked and scaring hikers out in the Broken into thinking he was Bigfoot.
When we were doing the "Angel Dust" thing we got information from the National Institute of Drug Abuse because we knew that if we went out and said something about angel dust people were going to ask questions about it and we wanted to be sure we had all the information to deal with it when those questions came up. So it's all a question of being as prepared as possible out front, so that if you are going to deal with information it'll be correct. A lot of people won't check it out but some people will.
A lot of players were going to Europe, but there were always stories of teams not being able to pay, and the players and girls were stuck with no money for airfare to come home. So I got a nice contract from Japan and decided to play there.
I was under contract with Walt Disney at the time. I was co-starring in my second season of a show called, Texas John Slaughter. The Andy Griffith Show hired me to play Thelma Lou. I only worked when they called me. I would do an episode in two days and I got paid $500. After all the federal, state and local taxes were taken out and then my agent's commission I only got $200 some dollars per episode.
When I was in Middle of The Night, MGM came and offered me a contract and I said that when I got out of the play, I'd like to try it. I didn't know anything about making movies but I was certainly finding it interesting.
I've got these five-pound weights and a treadmill in the living room. I work out the other parts that have affected my voice: my diaphragm - doctors took mine out in surgery - and my lungs. I've got to build back my legs, too, so I can run across that stage. I've got a lot to do, but I'm going to get out, sing songs and tell the stories.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
Every time a player goes out to ply his trade he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play. Some guys play with their heads. That's O.K. You've got to be smart to be Number One in any business. But more important, you've got to play with you heart - with every fiber of your body. If you're lucky enough to find a guy with a lot of head and a lot of heart, he's never going to come off the field second.
I knew Richard E. Grant, and I went to him and said "Would you like to [play Kafka in the film]?" and he said yeah, and then suddenly I had all these people who were happy to come along. We got a little bit of money from Scottish Screen to pay for it. I got so many favors because I knew people in the business. I was in a remarkably good position. I got so many favors from people. I got the Monty Python technical people.
9/11 just seemed to come out of the blue. And there were people asking questions, but then there were no answers. At some point, it just turned into, "We've got to do what we've got to do." And I think those are the moments when you grow, when you get the opportunity to try to figure out, exactly as you said, what price are you paying, and if it's worth that price.
?s long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.
When I played and got abused by another player, called a 'black so and so,' I always said 'that's out of order' but I tried to ignore it. I'd be thinking: 'You're not going to bring me down to that level.' But there were occasions when something was said and the next tackle went in a lot firmer.
There's an awful lot of future out there, and what you got to do, is you go to out and grab it, wrestle it to the ground, accept the challenges, and then decide. You've got the skills. You've got the knowledge. You've got the love, and you're capable of moving forward and making a great life yourself.
There were doubts when I got drafted. I've seen plenty of articles and things, like that I probably wouldn't be an elite point guard. I wanted to prove people wrong. And when I got my first contract, they said I was overpaid. I proved them wrong again.
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