A Quote by Ron Livingston
I saw 'The Shining' really young. I don't think it scarred me, but I had a paper route, and I delivered to some apartment buildings, and it made it a little scary to walk down those hallways.
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I've had a job since I was 11. I had a paper route, I worked at a video store, I was a toy doll at FAO Schwartz when I was in high school. And I think that it's made me really disciplined when it came to pursuing acting, because I had no clue how to go about it.
I actually do like scary movies. I used to hate scary movies. You know, when I was young, I saw 'The Changeling,' with George C. Scott, which I think is the scariest movie ever made. After I saw that, I swore I would never see a horror film again. Then I started making them.
For me, when I have those moments of getting down on my body - let's say, for example, my stomach doesn't look my stomach before I had kids, just saying - that bums me out, so I really have to shift that negative into a positive and get really grateful for the fact that my body delivered me two amazing little girls.
I think, as a kid, whenever you say you want to be an actor, you get discouraged, so perhaps if I had have listened to those people telling me that, I might have gone down the route of a teacher. But I was never really going to do that.
The only way to really change perceptions, to break down barriers, break down homophobia, is through representation. That's definitely not something I had as a kid. I never saw a gay athlete kissing their boyfriend at the Olympics. I think if I had, it would've made it easier for me.
For my first apartment, when I was first married, I went to the lumberyard and bought stuff and made couches. My then-wife made cushions. I was really very interested in furniture. I was in school for architecture, but I had to live, and making furniture was different from designing buildings, which I couldn't do for myself.
I guess because I'm so young, I m not sure of what lies ahead for me. I'm more into going the route of producing and directing. I just made a little short film. I'm more excited about going the route of doing a Drew Barrymore or... what's the one from 'Star Wars?
I guess because I'm so young, I m not sure of what lies ahead for me. I'm more into going the route of producing and directing. I just made a little short film. I'm more excited about going the route of doing a Drew Barrymore or... what's the one from 'Star Wars?'
When I was 10, I had a paper route. One year, I delivered my papers through a hurricane. My mother was against the idea, but my dad, who was a sergeant in the Marine Corps, overruled her. I was determined to deliver my papers.
I think in some ways, I would go back home, and I didn't really quite fit in and couldn't - didn't have a person to bounce those experiences off of. So I felt a little bit trapped within me, and it made me feel lonely because I really couldn't - the things that were exciting to me, I couldn't really share those with another kid and that other kid understand that.
I was working probably at the age of 10, when I had my first paper route. I had every different kind of job you could possibly imagine as a young kid.
I think I've had a lot of experience with watching other people shepherd my ideas with the 'Saw' films. They made four 'Saw' movies without me. I never really had a protective or fierce policy towards that. I let it go.
Right up to the middle of this century all perceptions of the world around us were delivered via the bookshelf or the paper route.
If you're offered something, you're not really sure exactly what is that they saw in you that they think is the character so it's a little scary, I feel.
I saw a ghost when I was staying at Dartington Hall in Devon in the 1960s. I think there are many different kinds of entities, some are scary and some aren't, it depends on the state of mind you're in when you are confronted. I found that quite scary because it appeared when I was asleep, so it was quite a shock, but the other ones I've encountered, I didn't find scary. I have a lot more understanding of them.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
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