A Quote by Ron Livingston
Everybody thinks that actors would be really good at bluffing, but I think it's a little backward.
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The Americans are good about making fancy cars and refrigerators, but that doesn't mean they are any good at making aircraft. They are bluffing. They are excellent at bluffing.
Fame obviously has become a premium in everybody's life. Everybody thinks they deserve it, everybody thinks they want it and most people really don't enjoy it once they get it.
I think everybody thinks I'm a little crazy.
I hate bad reviews, so yeah, every now and then I think, 'Boy I hope everybody really likes this and thinks this theme is good.' You can't help but do that. I think we all are, or at least I am, reduced to a schoolboy seeking approval.
To me, racial barriers do not exist in reality. If I say that 'everyone under the sun is a member of a universal family,' you may think that I am bluffing and being idealistic. But if anyone still believes in racial differences, I think he is too backward and narrow in his perspective. Perhaps he still does not understand man's equality and love.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
I think I would co-direct because I love actors and I've got a very good eye. I'm not a second-guesser. I don't think that I would be very happy, getting inundated by financial issues. I would love to co-direct with somebody because that would be a real freedom and an adventure, and then I could leave all the pain and misery to them. I'm not glib about it. I would take the responsibility to make a really good movie.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
There are actors that are really fine actors but not good auditioners. There are really good auditioners that may not be great actors. There are great actors that are really good auditioners, too. I happen to be someone who's not a great auditioner, but usually on a set can hold my own.
I was blessed with speed and a good punch. Everybody thinks I'm the hardest puncher ever. But I just think I was really fast, and my punches got to the target faster. That's what made my knockouts always seem spectacular.
I just like good stories. I like really interesting scripts, I love really great filmmakers. And I'm open to all genres and all stories. But, there's certain ones that attract me, and I don't really sort of look at what I think is going to be successful, I look at more so, you know, is this what I want to do regardless of what everybody else thinks?
If you are walking backward, away from something you think is a mistake, you may be right in supposing it is a mistake, but for you to be walking backward is never right. You know what happens to people who walk backward.... We are meant to walk forward, not backward, and reaction is always a matter of walking backward.
I used to think that if I did my very best work, then everyone would love it, but I've realised that not everybody thinks the same things are good. It took me 30 years even to begin to see that.
An awful lot of actors who are considered very good actors are not very good actors. There are people who just strike gold, they have intrinsic talent, but the point is that if they did train, it would not inhibit them. If they were with a good teacher, it would only broaden them more.
I think all great actors - and I don't classify myself as one of them, incidentally - but I think all great actors listen well and I've learned that from a lot of the very good actors with whom I've worked - to really listen to what people say.
When you have really good writing, you're compelled by the actors who are in it, and you may think it's the actors or the design or the filmmaking of it, but then you're like, 'Well, the base is a really rich story that these guys have created.'
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