A Quote by Ron Loewinsohn

Bill Knott's poems are . . . rhetorical fluff . . . and fake. — © Ron Loewinsohn
Bill Knott's poems are . . . rhetorical fluff . . . and fake.
I want my fluff-fluff! (Bob) Fluff-fluff… (Zarek looked panicked.) (Zarek)
In Peru, awareness of fake currency is so high that retail shops regularly provide cashiers with hole punchers. When a fake bill is received, the cashier quickly pops out a few holes before curtly returning the bill to an oft-surprised client.
In any piece of rhetorical discourse, one rhetorical term overcomes another rhetorical term only by being nearer to the term which stands ultimate. There is some ground for calling a rhetorical education necessarily aristocratic education in that the rhetorician has to deal with an aristocracy of notions.
I got lot to do at a pretty young age in terms of emotionally challenging films. I did not do any fluff... fluff is not me.
It turns out there's only one thing that capuchins really, really love - and that's sweet stuff. If you give them a big vat of say, marshmallow fluff, and you let them go at it, what they'll do is eat their body weight in marshmallow fluff, walk away, they'll vomit, and they'll come back and eat their body weight again. And they'll vomit. And they'll do that for as long as there is marshmallow fluff out there. They love marshmallow fluff.
Being authentic is important to me, and I am not going to present this fluff, fake, sanitized version of myself that doesn't reflect who I am or what my passions and interests are.
On TV, if you fluff your lines, nobody gives a toss. But if you fluff a penalty in the World Cup, well - we all know how much that matters.
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
Fake fat, fake colours, fake flavours, fake sweeteners: this is poison.
I was an imaginative kid. My sister needed entertaining, whereas I was the one under the table playing with a bit of fluff on the carpet. I was the sort of child who would spend time rolling up balls of all different kinds of fluff and that would be my little family.
My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
I am a middle-aged opera queen in loafers that makes out I am a 16 year old death metal skater... It's all fake! My hair is fake, my body is fake and my teeth are kind of fake
I have learned one thing, because I get treated very unfairly, that's what I call it, the fake media. And the fake media is not all of the media. You know some tried to say that the fake media was all the media, no. Sometimes they're fake, but the fake media is only some of the media. It bears no relationship to the truth.
Everybody thinks I wear fake tan but I hate fake tan! Never been able to get on with it. I'm always linked to different fake tan brands and it's nonsense because I've probably had three fake tans in my life.
That's the beautiful thing about my show... It's truly different every week. We get to pick and choose. Every morning, the girl from production comes to me with 100 different items, and I go, 'Fake, fake, fake, fake... that's cool.'
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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