A Quote by Ron Perlman

That's always been Guillermo's preference, is to have as much there practically as is humanly possible, and that digital graphic images are more a punctuation mark than they are a replacement.
There is nothing more humanly beautiful than a woman's breasts. Nothing more humanly beautiful, nothing more humanly mysterious than why men should want to caress, over and over again, with paintbrush or chisel or hand, these oddly curved fatty sacs, and nothing more humanly endearing than our complicity (I mean the complicity of women) in their obsession.
I've always had a preference for digital, all the way. I grew up through video and camcorders, and I was part of the VHS generation. I made all my stuff in high school on video, and worked for public access. Staying in digital is a very familiar, very natural progression of the things that I've worked in before, and I always try to break as much new ground as I can.
I have this Waterpik that shoots water between your teeth. It's great. You do that along with flossing, and you know for a fact you've cleaned your mouth as much as humanly possible. It's like going to the dentist every night in your bathroom. I don't know if it's a floss replacement, but in conjunction with flossing, it's great.
The complexity of the language of images is disguised by the ease and rapidity with which we read them. I've tried to make work that is as transparent and simple as possible. No matter how much I strip away the result is always more complex to me than I expect.
The advertising marketplace is moving rapidly into digital videos. We know that by 2018 it is estimated that it will be a $12.2 billion business. We've been seeing the agencies combine their digital video spend with television spend and put it under one spend and just calling it "video." The pool of money is becoming much bigger. The comparisons between television and digital video are being made much more often because you can account for who's watching, you can't fast-forward through the commercials. There's a much more intimate relationship with someone watching digital video.
Do not think that what is hard for you to master is humanly impossible; but if a thing is humanly possible, consider it to be within your reach.
Nothing on earth is more gladdening than knowing we must roll up our sleeves and move back the boundaries of the humanly possible once more.
Digital is expensive, from the computers to the professional software to the technicians, but digital helps me to create more beautiful images in less time.
What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open.
What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open. For the most part at the moment we get less information for slightly less money - though we could be getting a lot more.
What is said determines who listens and who understands. Graphic design is a language, but graphic designers are so busy worrying about the nuances - accents, punctuation and so on - that they spend little time thinking about what the words add up to. I’m interested in using our communication skills to change the way things are.
I find getting the first draft down to be the biggest challenge. Every word, every punctuation mark, every plot point is a decision. It's much more fun to play with something that already exists.
But comedy I'd love to do as much as humanly possible.
I believe that every photographer, every artist, should choose materials and equipment based on their own vision. I don't believe that non-digital is necessarily better than digital, or the reverse for that matter. They are just different, and it is my preference and choice to remain with the traditional silver process, at least for the time being.
Digital messages and images matter less than their instantaneous delivery; the shock effect always wins out over the consideration of the informational content.
I think readers' imaginations are far more powerful than anything you can put on a page and, therefore, can conjure up graphic images for themselves, which I think you just have to nudge them towards.
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