A Quote by Ron Perlman
The luxury of television is that you get more than one shot at who you think the guy is that you're playing.
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When you're playing a good character, you have an idea that you're playing the hero and the good guy. Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
Luxury is obviously the direction that interests me the most, but there is a lot of confusion between luxury and exhibitionism. For me, the concept of luxury is more traditional, more exclusive, more sophisticated than luxury for the masses.
One problem people have is that they lie to themselves. You may think you are more talented then the next guy. Which is exactly what the next guy thinks as well. Rarely is talent enough. You have to find ways to make yourself stand out. You do so by playing to your strengths and making people aware of those strengths. Always remember that no matter how many times you get shot down, you will get smarter, better and you only have to be right once to be successful.
I'm not the quickest guy in the world, so I figured if I beat a guy off the dribble, I kind of want to get my space and get my shot up fairly quick - not rush my shot or anything, but just get to my spot where I can make it and they have no chance of contesting it.
Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required. I have to protect my goddess, as best as I can.
I think a lot of actors will tell you that playing a villain can be more fun than playing the straight and narrow good guy.
Playing a bad guy is always more fun than playing the good guy.
I think most amateurs dread playing a 180-plus-yard par 3 even more than a hard par 4. Part of it is psychological: You think you should be getting a breather, distance-wise, and instead, you get hit with a long iron or hybrid shot over trouble.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
And as a character, what I found very inspiring about playing Dharma, especially at that time, is that the women on television were more neurotic than they were free. And I thought, this is a rare bird and this is unique on television and I think it's really refreshing.
My style of play won't ever change, because I enjoy that aggressive style of golf. It allows me to play my best. When I attack pins, I stay more focused. I get more into the shot and, consequently, I get more out of the shot and out of my game by playing aggressive.
Working on a film is so great because you have the luxury of more time when you're on a movie than when you're on television.
You can relax more when you're playing a silly character than when you're playing a really rigid character. But to be fair, I think George Clooney is a bigger teenager than any of the 'Twilight' cast. He's the guy throwing a football at your head and then hiding around the corner, pretending it wasn't him!
Before I was shot, I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. Right when I was being shot and ever since, I knew that I was watching television.
I think that because television is shot on a really fast schedule, and it gets piped into your home on a smaller screen, it's much more about character and dialogue in a lot of cases than the movies are.
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