A Quote by Ron Perlman

Some of the great characters that I've played had to be transformational. — © Ron Perlman
Some of the great characters that I've played had to be transformational.
I have been part of some fantastic shows and played great characters, including a double role in 'Dil Hai Ki Manta Nahi' and a negative one in 'Sanjivani' because I was bored of playing positive characters.
I'm on a lot of nonprofit boards, but if I didn't enjoy it I wouldn't do it. I haven't yet done anything that's transformational in philanthropy. But I hope at some point to target two or three causes or organizations and really make transformational gifts.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.
I had a good theater career for years. I played Hamlet when I was 22, and I've played some really great roles.
After 'Othello,' it was, like, 'I can stop acting. I have played one of the great characters in the English language. I feel I have played him well and honorably. I have nothing to prove anymore.'
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.
I had the good fortune early on to cast some really great people that were not just characters, they had character.
I played in Europe and it was a great experience, not just because of my team-mates and the coaches we had, but from the fans and the city itself - I played in Gothenburg and I played in Lyon and soccer was everywhere.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
To me idealized characters are so boring to play, especially having grown up in the classical theater. That's a great experience, but as a woman, especially, you've played a lot of idealized characters. So when you've got someone who has weaknesses as well as strengths, that's interesting.
I'd stop calling it "chemotherapy." I'd call it "transformational juice." Infusion suites would become "transformational suites" or "journey rooms."
Frank Sobotka in 'The Wire' on HBO was one of the greatest characters I've ever played. They cut his throat at the end of that season. There's something about creative coupling that seems to go with great characters, and the fact that you can never play them again once you're done.
You never had the opportunity to play with some of the great ballplayers, but being that close around them, and being in the same category, was a great feeling, to feel that vibe of all the best players who played the game.
If I was like some of the characters I played, I'd probably be dead by now.
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