A Quote by Ron Perlman

I've had biker clubs reach out to me whenever they knew I was in their city. — © Ron Perlman
I've had biker clubs reach out to me whenever they knew I was in their city.
As a teen-ager I played cards, shot craps, played pool, went to the track, hung around social clubs. I knew that some card and crap games were run by the mob, and some social clubs were mob social clubs. Even as a kid I knew guys that were here today, gone tomorrow, never seen again, and I knew what had happened.
A suburb is an attempt to get out of reach of the city without having the city be out of reach.
Even when disco went out, I could still make hits. Once I had so much success, every idea became concentrated. I had so much confidence. I knew how the bass should sound, what rhythms would work. The tempos I knew: 110 to 120 BPM. I knew they would dance in the clubs in New York or anywhere.
New York has always had a love for Southern artists. There's no place else that makes me feel like the city does. I just love the immediate nature of the city, you can get whatever you want whenever you want it and do whatever you want whenever you want to.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
Man City is one of the best clubs in the world. I knew that something big was happening here. I wanted to be a part of it.
For a meal out, my number one restaurant is Peter's Inn. I first went there when it was an old biker bar. Believe me, when it was Motorcycle Pete's, that was fun. I had my 30th birthday there.
It was if the city knew about Percy's dream of Gaea. It knew that the earth goddess intended on razing all human civilization, and this city, which had stood for thousands if years, was saying back at her: You wanna dissolve this city, Dirt Face? Give it a shot. In other words, it was the Coach Hedge of mortal cities- only taller.
Like every other place, I guess, Kansas City was quite a different city when I was a youngster there. They had quite a few clubs, and we had what we used to call jam sessions every night.
For a while I was a completely unknown artist with no fan base and no draw in the clubs. The only people that would give me a shot were the gay clubs. Gay clubs were so open to me coming in and trying things out.
Shakhtar specifically are proud when traditional clubs from Europe come knocking, and I knew it would be quite hard to convince them to let me join City. Listen, I am absolutely thankful for the opportunity they gave me, but I also think I worked my socks off for that club, and it was time to look after my career.
I knew I was outspoken when I was a kid because, whenever my parents had company coming over, they would pay me to leave. 'Go see your grandmother. Get out of here.' That was my first paying gig.
It's true there were a lot of clubs interested in me - I had talks with some of the biggest clubs in Europe.
City's boss and owner came with a very good proposal. They showed me that City has the ambition to be one of the biggest clubs in the world. This made it easy to make the move. Money was never important.
At 25, I had lost my job due to the economy, and my family wanted me to become a policeman or firefighter, but I knew there were other things out there for me. I sent some pictures to New York City and a model agency called and said, 'Where have you been?'
I've seen a lot of people come out of Carol City, but I had this distinct vision for Carol City, just me coming out of there, because my music is so different from anybody else who came out of there.
This site uses cookies to ensure you get the best experience. More info...
Got it!