A Quote by Ron Rash
Sometimes I know what my characters are moving away from or toward; more often I just wait and see. For instance, though I knew Sinkler in 'The Trusty' was going for water, I did not know that he would meet a fetching young farm wife until I got him into her front yard.
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Remember that you ought to behave in life as you would at a banquet. As something is being passed around it comes to you; stretch out your hand, take a portion of it politely. It passes on; do not detain it. Or it has not come to you yet; do not project your desire to meet it, but wait until it comes in front of you. So act toward children, so toward a wife, so toward office, so toward wealth.
He wanted her. He knew where to find her. He waited. It amused him to wait, because he knew that the waiting was unbearable to her. He knew that his absence bound her to him in a manner more complete and humiliating than his presence could enforce. He was giving her time to attempt an escape, in order to let her know her own helplessness when he chose to see her again.
Have you come over time to think that you know more now than you did when you were young, know less now than when young, know now there is so much more to know than you knew there was to know when young that it is moot whether you think you knew more then than now or less, or do you now know that you never knew anything at all and never will and only the bluster of youth persuaded you that you did or would?
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
And as he drove on, the rainclouds dragged down the sky after him, for, though he did not know it, Rob McKenna was a Rain God. All he knew was that his working days were miserable and he had a succession of lousy holidays. All the clouds knew was that they loved him and wanted to be near him, to cherish him, and to water him.
I don't always know what's going to go on in terms of the mood of the story. Sometimes I start with the mood, but sometimes I just try to work toward discovering it. But I do think often there's a mood or unsettling quality, in which the reality of the world seems to be taken away, that I really love, and it's something that I almost always unconsciously move toward.
One of the things I did, I would go, 'Dad, I know you don't know how to work YouTube, but wait until you see this concert. I found Hank Williams in 1940. And look at this.' Then that brings on memories and it brings happiness and it gives him a little extra breath in life.
God was always important to me. I always believed. I just never knew Him until I had to know Him. He was my best friend I never hung out with. Then my life took the crazy, tragic, turn and I got on my knees and begged Him to show me Himself so I would know not only Him but myself.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
I knew by the way he looked at her that he held her in a higher regard than he held even himself. No selfishness or insecurity kept him from seeing the full extent of her goodeness, as it so often does with the rest of us. That kind of love may only be possible in Abnegation. I do not know. My father: Erudite-born, Abnegation-grown. He often found it difficult to live up to the demands of his chosen faction, just as I did. But he tried, and he knew true selflessness when he saw it.
I think you learn more about Donald Trump when you learn more about his wife Melania. She can say things, but it's more how much did you get to know her and believe the kind of person she is, that could be married successfully to him. So once you realize that there's something there, that there's substance and that she's got talents and abilities, you think "this is a very complex woman and not just a pretty face" and you know they have a pretty successful marriage and I think that speaks well of him.
Here - at this final hour, Harlem has come to bid farewell to one of its brightest hopes - extinguished now, and gone from us forever.... Many will ask what Harlem finds to honor in this stormy, controversial and bold young captain - and we will smile. ...We will answer and say unto them, ‘Did you ever talk to Brother Malcolm? Did you ever really listen to him? ...For if you did you would know him. And if you knew him you would know why we must honor him.'
. . . What do you wish to be? What would you like to become?” I did not know, and I told her so, but the question worried me. Should I know? “There is time,” she said, “but the sooner you know, the sooner you can plan. To have a goal is the important thing, and to work toward it. Then, if you decide you wish to do something different, you will at least have been moving, you will have been going somewhere, you will have been learning.
It was beautiful and rare, and you have every right to despise me." She stood pressed to the wall, not moving. "When you came in, I thought 'Send her away.' But I knew that if you went away, I'd run after you. I thought 'I won't say a word.' But I knew that you'd know it before you left. I love you. I know you'd think kindlier of me if I said that I hate you.
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
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