A Quote by Ron Rash
Furthermore, even if ideas were gettable - say, stacked in a secluded cave like the Dead Sea scrolls - I wouldn't go there. An 'idea,' especially one adhered to from start to finish, can be disastrous for a compelling piece of fiction.
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Frank Moore Cross is also a leading Dead Sea Scrolls scholar, which he's been since they were discovered more than 50 years ago. He's just completing an edition of one of the most significant scrolls for Biblical studies, the Book of Samuel from the Dead Sea Scrolls.
In the Dead Sea Scrolls, there are many Aramaic texts from the time of Jesus, so one can get a pretty good idea of what the language of Jesus looked liked.
Sometimes people won't even finish a piece that you wrote, because they've already decided what it is that you want to say, and generally I, whatever I say in the first half of the piece, you should not assume I'm going to end up with, but they don't finish reading them. So, and people read fast and stuff.
Learn a lot about the world and finish things, even if it is just a short story. Finish it before you start something else. Finish it before you start rewriting it. That's really important.
It's to find out if you're going to be a writer or not, because that's one of the most important lessons.
Most, maybe 90% of people, will start writing and never finish what they started. If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.
For a thousand years after the Dead Sea Scrolls were written, the Jewish holy scriptures - the five parts of the Torah and 19 other holy books - were copied and passed down in the various Jewish communities from generation to generation.
Scholars have found that references to Christ in Josephus were deliberately planted in the translation long after it was written, and the Latin references to Christ are not to a person of that name. In the Dead Sea Scrolls there was mention of a particular "teacher of righteousness" who had characteristics somewhat like those attributed to Christ, but it might easily have been someone else.
The account of the discovery of the Dead Sea Scrolls, as the manuscripts are inaccurately designated, and of the half a century of intense research that followed, is in itself a fascinating as well as an exasperating story.
I have no idea of what it's going to look like when I start a piece. Making art is like having a relationship. You want to bring in some ideas, but if you don't allow it to develop naturally and speak to you as it develops, you end up imposing and projecting upon it.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
It was relatively easy to write 'The Cave of Lost Souls', though, because it came to me one night in a dream. I remember waking up and having this idea for a complete story - from start to finish - in my head, so I jotted it down, then later began writing the thing.
When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.
The absence from the Dead Sea Scrolls of historical texts proper should not surprise us. Neither in the inter-Testamental period, nor in earlier biblical times, was the recording of history as we understand it a strong point among the Jews.
Writing is not what you start. It's not even what you finish. It's what you start, finish, and put out there for the world to see.
A lot of times, it's nice to open, because the heat's off you. You just go out and blast your set and say to whoever's going to finish, 'There you go.' Even though when you first start, people are drifting in, and that's kind of a bit disconcerting.
Nowadays, photographers start out with ideas, and their photos become the expression of an idea. To my way of thinking, a photo should not depend on ideas, should go beyond ideas.
I don't need to feel 100% safe, but I have to feel like there's room for me to go a little bit insane if I'm going to have good ideas. Because a good idea is a new idea and if you start going around like, "I have this new idea!" most people are gonna be like, "I've never heard that before, that sounds fishy."
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