A Quote by Ron Rothfield

I think the whole of music comes down to one's personality. It's not about the notes or how you press the keys; it's where you are in your evolution of consciousness. — © Ron Rothfield
I think the whole of music comes down to one's personality. It's not about the notes or how you press the keys; it's where you are in your evolution of consciousness.
I hope to refine music, study it, try to find some area that I can unlock. I don't quite know how to explain it but it's there. These can't be the only notes in the world, there's got to be other notes some place, in some dimension, between the cracks on the piano keys.
One way to think about what psychedelics are is as catalysts for language development. They literally force the evolution of language. You cannot evolve faster than your language because the language defines the culture of meaning. So if there's a way to accelerate the evolution of language then this is real consciousness expansion and it's a permanent thing. The great legacies of the 60's are in attitudes and language. It boils down to doing your own thing, feeling the vibe, ego-trip, blowing your mind.
How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?
The press has let the country down. It's taken a very amoral stand, in that essential issues are often portrayed as simply one side says this and the other side says that. I think that Fox News and the Republican right have intimidated the press into an incredible self-consciousness about appearing objective and backed them into a corner of sorts where they have ceded some of their responsibility and righteous power.
The genome could be thought of as a kind of piano with twenty-five thousand keys. In some cases, a few keys may be out of tune, which can cause the music to sound wrong. In others, if one key goes dead the music turns into a cacophony, or the whole piano self-destructs.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
The consciousness of lucid dreaming is a cultural evolution. It's something that we are talking about and learning about, not biological evolution.
My process is kind of intuitive - I think about how a character will speak according to their station and personality, occasionally making notes with guidelines for their mannerisms, and then I just sort of crack on and write it.
Coming to terms with the fear of death is conducive to healing, positive personality transformation, and consciousness evolution.
I think in the end, when you're famous, people like to narrow you down to a few personality traits. I think I've just become this ambitious, say-whatever's-on-her-mind, intimidating person. And that's part of my personality, but it's certainly not anywhere near the whole thing.
You have to be ready, and also you have to discard notions that are fondly held by a lot of musicians, about sequences and notes and about scales and musical systems as a whole. If you think of music as a language, the space part is where you throw out all the syntax.
Performing isn't only about the acrobatics and the high notes: It's staying in the moment, connecting with the audience in an authentic way, and making yourself real to them through the music. I am more than the notes I hit, and that's how I try to approach my life. You can't get it all right all the time, but you can try your best. If you've done that, all that's left is to accept your shortcomings and have the courage to try to overcome them.
Any young, aspiring musicians out there, if music is what you want to do, if music is what you love and your passion. It doesn't take a fragrance, it's not about the tabloids, it's about you putting in the work, practicing every day, practicing your vocals, practicing your instrument, practicing songwriting. Hopefully one day you write the song the whole world wants to get down to. I promise you, if you go out there and sing and you put your heart and soul into it and you follow your dream, one day you're going to be sitting next to Ellen DeGeneres talking about how you broke records and rocked the Super Bowl.
I started realizing that music is the one area where I've always let go. When that saxophone goes into my mouth, I get into a space where I never think about the notes I've already played or anticipate the notes ahead.
My whole interest is, how do you use evolution as an innovation engine? How does evolution solve new problems that life faces? And to have a system that can create a whole new chemical bond that biology hasn't done before, to me, demonstrates the power of nature to innovate.
I think it's darkness before the dawn, because the next evolution is going to be a consciousness evolution instead of a communication revolution.
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