A Quote by Ron Stallworth
It's kind of like an out of body experience, watching my words being spoken by the actors, watching the portrayal of me by John David Washington.
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You will never experience less reality than when you are watching a reality show. You're watching people who aren't actors, put into situations created by people who aren't writers and they're second guessing how they think you would like to see them behave if this were a real situation, which it's not. And you are passively observing this; watching an amateur production of nothing. It's like a photo of a drawing of a hologram.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.
I was having an out-of-body experience, it was so hot. I felt I was watching someone play in a blue dress, and it wasn't me.
I like watching the other actors, but the hard thing about watching yourself is that the performance is done, and no matter how you'd like to tweak it, there's nothing you can do.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
I'm a different writer now. You don't sit in a room with Sopranos creator David Chase and writer Terence Winter for four years and not learn something. And just watching the way the show was done, and watching the way that David encouraged the imagination.
I'm always watching. I'm watching everybody. San Antonio, Houston, Golden State, Washington, Boston, I'm watching everything. And my mind is always going: it's always running, and you're always trying to get an advantage somehow.
Watching Republicans in Washington is like watching lemmings, if lemmings jumped into cesspools instead of off cliffs.
Watching Republicans in Washington is like watching lemmings, if lemmings jumped into cesspools instead of off cliffs. Splash! There goes Mark Foley!
...candid still photography had taken over... What was interesting was that the photographs came without any intention of instructing you... You're like a cat looking out the window. You don't have to even know what you're watching, but you're watching it, and you're watching it very accurately.
Personally, I don't like to talk too much to the actors about the camera choices because I feel like the way I want them to perform is as if it feels very rooted in the real world and that I'm essentially stepping back and just watching and hoping they feel safe with me watching.
I was just 18 years old, excited about being drafted to the N.B.A. I felt like all of Houston was watching me. My high school was watching me. I think they had a draft party at my coach's house. I'll never forget that day, being in the green room with my family and my agent.
My favorite thing about coaching? Teaching. Being around young people, just watching a player grow and develop. You know, a young man comes in with dreams and goals and ambitions and just helping him reach (them). It's like your dad watching you grow up and like me watching my boys grow.
Other kids were watching John Elway. I was watching Tom Landry.
There's nothing that compares to watching that final of Charles Mee’s 'The Glory of the World' play at BAM17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure.
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