A Quote by Ron Stallworth

When he was not talking about race, David Duke was a very pleasant guy to talk to. He was a very nice conversationalist. He seemed like a regular guy on the phone when the subject wasn't on race and on Jews and ethnicity.
We don't like talking about race in the U.K. - it's a very sensitive subject. People get extremely defensive and run for the covers, but I believe we have to talk about it.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
I don't like any one race or look or type of guy. My tastes as far as looks go are very diverse. I like guys with scruffy beards and leather jackets, but I also like a clean-cut 'GQ'-type guy, so my tastes are very ranged among somebody who laughs at my dumb jokes, too. I have plenty of them.
It's very weird because the 'It' guy usually is not the 'It' guy next year or even a guy that anyone is talking about.
I like to explore different ideas of race, how the concept of race has evolved in the country. It's one thing I enjoy talking about, but I don't feel compelled to talk about it.
I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.
Our dad is not one to impart advice or gloat or reminisce about the good old days. But he's a race car guy, been a car guy forever, and he always wants to talk about cars.
It's very difficult for I think any player in any sport to want to play for a guy that doesn't believe in their race or looks down upon their race, for whatever reason.
Strive to be the very best you can be. Run the race against yourself and not the guy in the other lane. The reason I say that is, as long as you give it 110% you are going to succeed. But as long as you're trying to beat the guy over there, you are worried about him; you're not worrying about how you've got to perform.
Don't waste your time in the race looking back to see what the other guy is doing. It's not about the other guy. It's about what can you do. You just need to run that race as hard as you can. You need to give it everything you've got, all the time, for yourself.
It was definitely during the Obama administration that talking about racism, or calling it out, suddenly seemed taboo. It seemed like talking about race was somehow summoning the evil of racism.
When the scary subject of race is finally broached, kids want to talk and talk. It's very satisfying.
'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
It's difficult to gauge that. With a bad guy you just know you're bad. To play a nice guy is harder - unless you are a very nice person like me of course.
Wiz is a cool guy, humble guy, down to Earth guy. You would really think he was just a regular guy if you didn't know who he was. But he still has a superstar aura about him.
'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.
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